A hundred yards or so below where the springs commence to flow Wallapai Canyon enters from the left. It is similar in appearance to, though narrower than, Havasu (Cataract) Canyon, the walls being of red sandstone, the strata of which are as regular as if laid by masons. A few hundred yards beyond the junction of the two canyons a remarkable piece of Indian engineering is in evidence, showing how the Indians ascend from a lower to an upper platform. There is a drop here in the stratum of some twenty-five or thirty feet, and to overcome this obstacle the Havasupais built a cage with logs which they filled with stones, and then from this stretched rude logs up and across, to which other logs were fastened, thus making a fairly substantial bridge from the lower to the upper stratum over which their horses as well as themselves could safely pass. The trail from this point ascends through tortuous canyons a distance of seven miles to the territory occupied by the Wallapais.

Just below the entrance to Wallapai Canyon a vast mass of talus has fallen, and two hundred yards farther down, the Cataract Canyon trail goes over a portion of this talus to avoid the creek, which has here crossed from the other side of the canyon and has become a rapidly flowing stream some two feet or more in depth. Attached to this talus is a large mass of solid concrete made of pebbles, rocks, and sand that have been washed down in the creek and made cohesive by the lime from the water. Here the canyon narrows again and the stupendous walls seem very near to the willow-fringed stream and the small fields. A few hundred feet farther it opens out again, and as one rides on the trail he gets exquisite views of the gray stone walls superposed on the red sandstones to the northwest. These gray and creamy sandstones, with their numerous and delicate tints and shades, afford most delightful contrasts to the glaring and monotonous red of the walls beneath. From this point we gain our first view of the so-called Havasupai stone gods, named by them "Hue-gli-i-wa," the story of which is told elsewhere.

These rocky pillars with their supporting walls seem as if they were once a part of a great wall that entirely spanned the canyon, the towers being sentinel outlooks to guard from attack both above and below. The portion of the wall to the right, as one descends the canyon, has been washed away, but the tower-crowned mass to the left still preserves a broad sweep into the very heart of the canyon as if it would bar all further progress. Following the sweep of this curve and passing the wall immediately underneath the outermost of the two towers, we view from the trail which ascends a mass of talus at this point another widened-out part of the canyon, which seems entirely covered with willows, here and there overshadowed by a few straggling cottonwoods. This is where the ceremonial dances of the Havasupais take place.

On the summit of the wall on the other side of the canyon from the Hue-gli-i-wa are two stone objects, one named Hue-a-pa-a, and the one farther down the canyon, Hue-pu-keh-i. These are great objects of reverence, for they represent the ancestors of the Havasupai race. Hue-a-pa-a—the man—has a child upon his back and two more by his side, and he is calling to his wife—Hue-pu-keh-i—to hurry along, as the baby is hungry and needs his dinner. The full breasts of the stone woman show that she is a nursing mother.

Slightly below these stone figures, and on the right-hand side of the canyon, is the old fort, where in the days of fighting the Havasupais were wont to retire when attacked. The fort is impregnable on three sides, being precipitous, and on the fourth is accessible only up a narrow trail, which is guarded by piles of rocks which are ready to be tumbled, even by a woman, upon the heads of foes who attempt to ascend. The fortifications and stones for defence still remain, but it is many years since they were used for their original purposes.

One's mind becomes very active as he looks upon this tribe of Indians and thinks of their traditions, history, and life. So far, their almost entirely isolated condition has been their preservation, although, sad to say, much of their earlier contact with our civilization was not of the best character.

Even in this land of our boasted Christianity it is true that the strong prey upon the weak. The domination of physical force is giving way to the domination of mental force, but which is the greater evil? Why should the man born with a mental advantage over his fellows exercise that advantage any more than the man born with a physical advantage? We have not quite ceased to worship the Sullivans, the Corbetts, and the Fitzsimmonses, and, where we have, we have transferred our worship to the intellectually strong, many of whom are no more worthy our homage than the prize fighters. So now it is the intellectually strong who prey upon the intellectually weak, and, as in the physical conflict, it is inevitable that the weak "go to the wall." In simple cunning the Havasupai Indian may be our superior, but in deep craft he is "out of the field." His bow and arrow tipped with obsidian or flint pitted against our repeating rifle; his rolling of heavy rocks opposed to our Gatling guns; his mule and burro against our iron horse; and his pine torch against our electric light,—all demonstrate him to be in his intellectual minority, or at an intellectual disadvantage. He makes a fine figure in our romances, but I sadly fear that the knell of his doom has sounded, and that a few generations hence he will be no more.

Havasupai Fortress and Hue-gli-i-wa, or Rock Figures.

Wallapai and Havasu Canyons, far more than the Grand Canyon, meet the popular idea as to what a canyon is. Their walls are narrow and precipitous, and one staying in their depths must be content with a late sunrise and an early sunset. Just above the rude bridge before described are several natural reservoirs of water. Here the canyon is not more than from one hundred and fifty to two hundred and fifty feet wide. This close proximity of the walls, which fairly overshadow one, compels one to feel his insignificance far more than when he stands in the wider and more comprehensive vastness of the Grand Canyon.