The question is often asked: Is there a Mission architecture? It is not my intention here to discuss this question in extenso, but merely to answer it by asking another and then making an affirmation. What is it that constitutes a style in architecture? It cannot be that every separate style must show different and distinct features from every other style. It is not enough that in each style there are specific features that, when combined, form an appropriate and harmonious relationship that distinguishes it from every other combination.
As a rule, the Missions were built in the form of a hollow square: the church representing the fachada, with the priests' quarters and the houses for the Indians forming the wings. These quarters were generally colonnaded or cloistered, with a series of semicircular arches, and roofed with red tiles. In the interior was the patio or court, which often contained a fountain and a garden. Upon this patio opened all the apartments: those of the fathers and of the majordomo, and the guest-rooms, as well as the workshops, schoolrooms and storehouses.
One of the strongest features of this style, and one that has had a wide influence upon our modern architecture, is the stepped and curved sides of the pediment.
This is found at San Luis Rey, San Gabriel, San Antonio de Padua, Santa Inés, and at other places. At San Luis Rey, it is the dominant feature of the extension wall to the right of the fachada of the main building.
On this San Luis pediment occurs a lantern which architects regard as misplaced. Yet the fathers' motive for its presence is clear: that is, the uplifting of the Sign whereby the Indians could alone find salvation.
Another means of uplifting the cross was found in the domes--practically all of which were terraced--on the summits of which the lantern and cross were placed.
The careful observer may note another distinctive feature which was seldom absent from the Mission domes. This is the series of steps at each "corner" of the half-dome. Several eminent architects have told me that the purpose of these steps is unknown, but to my simple lay mind it is evident that they were placed there purposely by the clerical architects to afford easy access to the surmounting cross; so that any accident to this sacred symbol could be speedily remedied. It must be remembered that the fathers were skilled in reading some phases of the Indian mind. The knew that an accident to the Cross might work a complete revolution in the minds of the superstitious Indians whose conversion they sought. Hence common, practical sense demanded speedy and easy access to the cross in case such emergency arose.
It will also be noticed that throughout the whole chain of Missions the walls, piers and buttresses are exceedingly solid and massive, reaching even to six, eight, ten and more feet in thickness. This was undoubtedly for the purpose of counteracting the shaking of the earthquakes, and the effectiveness of this method of building is evidenced by the fact that these old adobe structures still remain (even though some are in a shattered condition, owing to their long want of care) while later and more pretentious buildings have fallen.
From these details, therefore, it is apparent that the chief features of the Mission style of architecture are found to be as follows:
1. Solid and massive walls, piers and buttresses.