From the Easy Chair, Volume 3

by George William Curtis

HISTORIC BUILDINGS

FEW months ago the Easy Chair, seeing that changes were making in the old State-house in Boston, one of the few Revolutionary and truly historic buildings that remain, modestly ventured to regret it, and to deplore the rapid disappearance of the venerable relics that had come down to us from former generations. It suggested, or meant to suggest, or might, could, would, or should have suggested, and will now, under correction, suggest that there are very few buildings in New York which recall that earlier epoch of the country. With a national and pardonable logic, or association of ideas, the Easy Chair enlarged upon the value of historical relics, of monuments, of visible traditions; and urged possibly that it made life a little barer, a little less poetic, here than it would otherwise be.

The temerity of such a strain of remark does not seem very extravagant; it might indeed be put forth without any secret hostility to human rights, to liberty, to the equality of men, and even without a sigh for the repose of effete despotisms, and the traditions of outworn monarchies. But not in the opinion of a certain excellent journal, which we will agree to call the Bugle of Freedom, and which blew a sonorous blast and rallying cry against the sentiments of the Easy Chair's mild and innocent suggestions. "Monuments!" blew the Bugle of Freedom, "monuments! remains, traditions! Old lumber and rotten timber! What in the name of humanity have all these to do with a manly and patriotic sentiment? Look at Egypt; what have the Pyramids done for the civilization of Egypt? and we hope they are monuments, and ancient enough. Look at Greece; the very queen-mother of the noblest architecture! Look at Italy, teeming with 'storied monuments,' and what do we see?" played the Bugle of Freedom. "What do we see? Do we wish to be Egyptians, or modern Greeks, or Italians? Heaven forbid!" And the resounding Bugle seemed to execute roulades and runs and trills of contempt at the unhappy Easy Chair, which was gazing vacantly at Egypt, Greece, and Italy, as the Bugle had directed.

Has the Bugle of Freedom no drawer, or box, or casket of any kind, in which there is, possibly, a yellow rose-bud, faded years and years ago, in the days when it was a mere raw, shrill, piping flageolet? Has it no bundle of letters, worn and parted at the seam; no knotted handkerchief hidden out of sight, that shall never be more unknotted; no glove, delicate and perfumed, still holding the form gained by soft pressure upon a hand that shall never again be pressed. Is there no tree in the garden, in a public square, by the road-side, in a green field by a brook, under which, at every hour of the day and night, whenever and with whomsoever it is passed, there stand a youth and maid who shall be seen of men no more. Is there no house in town or country from whose windows long vanished faces look when the Bugle passes by, and in whose unchanged rooms there are figures of old and young whose presence is infinitely tender and chastening? Would life be richer and better and more manly and inspiring for the Bugle if all these were swept away? Would the rights of man and eternal justice be more secure if some morning Biddy should throw old letters, old rose-buds, and old handkerchiefs into the fire, and the woodman would not spare the old tree, and the haunted old household be burned up or pulled down? That is the whole question.

It is merely a matter of association. It is in human nature; the Easy Chair did not put it there. The mysterious delight in the most ancient and inarticulate remains of human skill is the recognition by the soul of man of its identity and endless continuation; and when you descend from that Cyclopean work in the foundation of the wall of the temple at Jerusalem to the knotted handkerchief and the yellow bud, you have only come, O Bugle, to the individual delight in one's own experience, to the unsealing of sweet fountains forgotten, and the quickening of sanitary emotions. Surely when you were travelling and delighting yourselves in Greece you did not come upon the plain of Marathon with the same emotion that you cross the Hackensack meadows in the Philadelphia train. But what was the difference? Byron's lines sang themselves out of your mouth:

"The mountains look upon Marathon,
And Marathon looks on the sea."

Why did Byron's lines rise in your memory? Why did Byron write the lines? Why was your glance eager and your mind pensive and your imagination alert and your soul full of generous impulse when you stood on the plain of Marathon? Because of the great conflict between two civilizations long and long and long ago—the conflict of ideas of which you are the child; the conflict of men essentially like you and your brothers who fought at Gettysburg and Vicksburg.

But if there be this subtle and over-powering influence in association with a place, although it is earth and trees and grass and stone, is there not the same charm and power in association with a building, a tree, a stream? And while Marathon has not saved Greece from decline, has it not been one of the natural influences that have pleaded against national decay? And could Marathon and Salamis and Platæa have been swept out of mind, would not the decline have been a thousandfold hastened? Are we not stronger and braver for Bunker Hill and Saratoga, for the sunken Alabama and the Wilderness?

For the same reason, O loud-blowing Bugle of Freedom, that it would be a national injury to forget the great deeds, it is in a lesser degree a misfortune, although an inevitable one, gradually to lose from sight the objects that recall them. Would it be a pity to shovel Bunker Hill into Boston Back Bay? The battle of Bunker Hill would still remain in history, the advantages of the Revolutionary War which it began would still survive; but something we should have lost, and the argument that urged the sparing of the hill would be sound and natural. So with the old State-house. To destroy it or essentially to change it was in a lesser degree to shovel Bunker Hill into the Back Bay.