The miniature was in the face of a gold locket, on the back of which there was a curl of the same fair hair. It was so fresh and glossy that it might have been cut off the day before. But the quaintness of the setting and the costume of the portrait showed that it had been taken many years previous, and that in the order of nature the original was probably dead.
As Mrs. Simcoe held the miniature in both hands and looked at it, her body still rocked over it, and her lips still murmured.
Then rocking and murmuring stopped together, and she seemed like one listening to music or the ringing of distant bells.
And as she sat perfectly still in the golden September sunshine, it was as if it had shone into her soul; so that a softer light streamed into her eyes, and the hard inscrutability of her face melted as by some internal warmth, and a tender rejuvenescence somehow blossomed out upon her cheeks until all the sweetness became sadness, and heavy tears dropped from her eyes upon the picture.
Then, with the old harshness stealing into her face again, she rose calmly, carrying the miniature in her hand, and went out of the room, and down the stairs into the library, which was opposite the parlor in which Abel Newt had seen the picture of old Grandpa Burt at the age of ten, holding a hoop and book.
There were book-shelves upon every side but one—stately ranges of well-ordered books in substantial old calf and gilt English bindings, and so carefully placed upon the shelves, in such methodical distribution of shapes and sizes, that the whole room had an air of preternatural propriety utterly foreign to a library. It seemed the most select and aristocratic society of books—much too fine to permit the excitement of interest in any thing they contained—much too high-bred to be of the slightest use in imparting information. Glass doors were carefully closed over them and locked, as if the books were beatified and laid away in shrines. And the same solemn order extended to the library table, which was precisely in the middle of the room, with a large, solemn family Bible precisely in the middle of the table, and smaller books, like satellites, precisely upon the corners, and precisely on one side an empty glass inkstand, innocent of ink spot or stain of any kind, with a pen carefully mended and evidently carefully never used, and an exemplary pen-wiper, which was as unsullied as might be expected of a wiper which had only wiped that pen which was never dipped into that inkstand which had been always empty. The inkstand was supported on the other side of the Bible by an equally immaculate ivory paper-knife.
The large leather library chairs were arranged in precisely the proper angle at the corners of the table, and the smaller chairs stood under the windows two by two. All was cold and clean, and locked up—all—except a portrait that hung against the wall, and below which Mrs. Simcoe stopped, still holding the miniature in her hand.
It was the likeness of a lovely girl, whose rich, delicate loveliness, full of tender but tremulous character, seemed to be a kind of foreshadowing of Hope Wayne. The eyes were of a deep, soft darkness, that held the spectator with a dreamy fascination. The other features were exquisitely moulded, and suffused with an airy, girlish grace, so innocent that the look became almost a pathetic appeal against the inevitable griefs of life.
As Mrs. Simcoe stood looking at it and at the miniature she held, the sadness which had followed the sweetness died away, and her face resumed the old rigid inscrutability. She held the miniature straight before her, and directly under the portrait; and, as she looked, the apparent pride of the one and the tremulous earnestness of the other indescribably blended into an expression which had been long familiar to her, for it was the look of Hope Wayne.
While she thus stood, unconscious of the time that passed, the sun had set and the room was darkening. Suddenly she heard a sound close at her side, and started. Her hand instinctively closed over the miniature and concealed it.