THE ART OF PUTTING THINGS.
It was "A.K.H.B.," if I recollect aright, who wrote a popular essay on "The Art of Putting Things." As I know nothing of the essay beyond its title, and am not quite certain about that, I shall not be guilty of intentional plagiarism if I attempt to discuss the same subject. It is not identical with the theme which I have just handled, for "Things one would rather have expressed differently" are essentially things which one might have expressed better. If one is not conscious of this at the moment, a good-natured friend is always at hand to point it out, and the poignancy of one's regret creates the zest of the situation. For example, when a German financier, contesting an English borough, drove over an old woman on the polling-day, and affectionately pressed five shillings into her hand, saying, "Never mind, my tear, here's something to get drunk with," his agent instantly pointed out that she wore the Blue Ribbon, and that her husband was an influential class-leader among the Wesleyans.
But "The Art of Putting Things" includes also the things which one might have expressed worse, and covers the cases where a dexterous choice of words seems, at any rate to the speaker, to have extricated him from a conversational quandary. As an instance of this perilous art carried to high perfection, may be cited Abraham Lincoln's judgment on an unreadably sentimental book—"People who like this sort of thing will find this the sort of thing they like"—humbly imitated by two eminent men on this side of the Atlantic, one of whom is in the habit of writing to struggling authors—"Thank you for sending me your book, which I shall lose no time in reading;" while the other prefers the less truthful but perhaps more flattering formula—"I have read your blank verse, and much like it"
The late Mr. Walter Pater was once invited to admire a hideous wedding-present, compact of ormolu and malachite. Closing his eyes, the founder of modern aesthetics leaned back in his chair, and waving away the offending object, murmured in his softest tone, "Oh, very rich, very handsome, very expensive, I am sure. But they mustn't make any more of them."
Dexterities of phrase sometimes recoil with dire effect upon their author. A very popular clergyman of my acquaintance prides himself on never forgetting an inhabitant of his parish. He was stopped one day in the street by an aggrieved parishioner whom, to use a homely phrase, he did not know from Adam. Ready in resource, he produced his pocket-book, and, hastily jotting down a memorandum of the parishioner's grievance, he said, with an insinuating smile, "It is so stupid of me, but I always forget how to spell your name." "J—O—N—E—S," was the gruff response; and the shepherd and the sheep went their several ways in mutual disgust. Perhaps the worst recorded attempt at an escape from a conversational difficulty was made by an East-end curate who specially cultivated the friendship of the artisans. One day a carpenter arrived in his room, and, producing a photograph, said, "I've brought you my boy's likeness, as you said you'd like to have it."
Curate (rapturously). "How awfully good of you to remember! What a capital likeness! Where is he?"
Carpenter. "Why, sir, don't you remember? He's dead."
Curate. "Oh yes, of course, I know that. I mean, where's the man that took the photograph?"
The art of disguising an unpleasant truth with a graceful phrase was well illustrated in the case of a friend of mine, not remarkable for physical courage, of whom a tactful phrenologist pronounced that he was "full of precaution against real or imaginary danger." It is not every one who can tell a man he is an arrant coward without offending him. The same art, as applied by a man to his own shortcomings, is exemplified in the story of the ecclesiastical dignitary who gloried in his Presence of Mind. According to Dean Stanley, who knew him well, he used to narrate the incident in the following terms:—
"A friend invited me to go out with him on the water. The sky was threatening, and I declined. At length he succeeded in persuading me, and we embarked. A squall came on, the boat lurched, and my friend fell overboard. Twice he sank; and twice he rose to the surface. He placed his hands on the prow and endeavoured to climb in. There was great apprehension lest he should upset the boat. Providentially, I had brought my umbrella with me, I had the presence of mind to strike him two or three hard blows over the knuckles. He let go his hold and sank. The boat righted itself, and we were saved."