"If less insensible than sodden clay
In a sea-river's bed at ebb of tide,"
all sons of Oxford must realize her material beauty, her historical pre-eminence, her contribution to thought and culture, her influence on the religious life of England.
"Ah, but her secret? You, young lover."
There is nothing secret about all this; it is palpable and manifest; and yet it does not exhaust the spell. Something there is that remains undiscovered, or at best half-discovered—felt and guessed at, but not clearly apprehended—until we have passed away from the "dreaming spires"—the cloisters and the gardens and the river—to that sterner life for which these mysterious enchantments have been preparing us.
"Know you the secret none discover?"
If you do, that is proof that time has done its work and has brought to the test of practical result the influences which were shaping your mind and, still more potently, your heart, between eighteen and twenty-two. What that "secret" is, let an unworthy son of Oxford try to tell.
To begin with a negative, it is not the secret of Nirvana. There are misguided critics abroad in the land who seem to assume that life lived easily in a beautiful place, amid a society which includes all knowledge in its comprehensive survey, and far remote from the human tragedy of poverty and toil and pain, must necessarily be calm. And so, as regards the actual work and warfare of mankind, it may be. The bitter cry of starving Poplar does not very readily penetrate to the well-spread table of an Oxford common-room. In a laburnum-clad villa in the Parks we can afford to reason very temperately about life in cities where five families camp in one room. But when we leave the actualities of life and come to the region of thought and opinion, all the pent energy of Oxford seethes and stirs. The Hebrew word for "Prophet" comes, I believe, from a root which signifies to bubble like water on the flames; and in this fervency of thought and feeling Oxford is characteristically prophetic. It is a tradition that in some year of the passion-torn 'forties the subject for the Newdigate Prize Poem was Cromwell, whereas the subject for the corresponding poem at Cambridge was Plato. In that selection Oxford was true to herself. For a century at least (even if we leave out of sight her earlier convulsions) she has been the battle-field of contending sects. Her air has resounded with party-cries, and the dead bodies of the controversially slain have lain thick in her streets. All the opposing forces of Church and State, of theology and politics, of philosophy and science, of literary and social and economic theory, have contended for mastery in the place which Matthew Arnold, with rare irony, described as "so unruffled by the fierce intellectual life of our century, so serene!" Every succeeding generation of Oxford men has borne its part in these ever-recurring strifes. To hold aloof from them would have been poltroonery. Passionately convinced (at twenty) that we had sworn ourselves for life to each cause which we espoused, we have pleaded and planned and denounced and persuaded; have struck the shrewdest blows which our strength could compass, and devised the most dangerous pitfalls which wit could suggest. Nothing came of it all, and nothing could come, except the ruin of our appointed studies and the resulting dislocation of all subsequent life. But we were obeying the irresistible impulse of the time and the place in which our lot was cast, and we were ready to risk our all upon the venture.
"Never we wince, though none deplore us,
We who go reaping that we sowed;
Cities at cockcrow wake before us—
Hey, for the lilt of the London road!
One look back, and a rousing chorus!