Perhaps time had powdered and somewhat dimmed the marvellous brightness of their first colouring; but it was better so. Their pristine lustre would have been too great a contrast in the quaint surroundings, and it was an extra charm to see such gems of the air thus lightly decked with the dust of the past! To-day, alas! these rooms, flowering with sculpture, are closed and forsaken; a part of their wainscoting has disappeared.... Where have decorations so pleasing gone?... Why these everlasting, culpable mutilations, which I know are a grief to Monsieur Périer, the eminent Director of the Museum? The collections of butterflies are now transferred to the vast and sumptuous central hall of the new pavilion devoted to natural history. I liked them better in the charming rooms which once contained them and suited them so well!

The water-flowers bloom, as of yore, in the same low, stifling hot-houses, near the bizarre-shaped orchids; and it was in the old amphitheatre, where so many illustrious scholars taught, that the noble artist Madame Madeleine Lemaire,—the only "woman professor" that has ever held a post at the Museum,—initiated her attentive, spell-bound audience into the divine beauty of flowers!

In all periods, artists have come and installed their light easel or their modelling-stands in front of the lions' cages, or in the Garden itself, on the grass, opposite the antelopes, hinds, walla-birds, or the goats of Thibet.

We remember, my brother and I, having, as little boys, accompanied our father, who was modelling from life the tigers and lions in the wild beasts' corridor. The odour was pungently alkaline, the heat sultry; we heard the hissing of polecats in the entrance and exit rotundas; sometimes a terrible roar, a complaint of anger, pain, or ennui, arose and shook the panes.

Most of these unfortunate animals, deprived of air and light, shut up in the horrible, narrow, stinking cages, died a lingering death of consumption. Indeed, they quickly grew familiar with those who spent whole weeks studying them; and their huge heads rubbed caressingly against the thick cage-bars, while their eyes became soft and almost tender.

Often we went, inquisitive, ferreting school-boys, to the reptiles' menagerie, an old building crumbling with age, and passed long hours peeping at the chameleons, gazing at the boa-constrictors, trying to rouse the sleepy crocodiles, which seemed to be already stuffed! What reminiscences and souvenirs in the dear old Jardin des Plantes, one of the few "Nooks and Corners of Paris" that have remained almost untouched!

THE JARDIN DES PLANTES—CUVIER'S HOUSE
Water-colour by Bourgoin (Carnavalet Museum)

On the side, the ancient house Cuvier lived in does not look very stable, and perhaps would go to pieces but for the network of plants round it: ivy, birthwort honeysuckle, lianes of all kinds caparisoned it with verdure. They are carpets, cascades of glossy green, shining together: a nosegay of leaves in a garden.