The attempt to raise wages by combination was condemned under the pretext that it would make everything dearer, and was punished by the lord by fine and imprisonment.
One can see in these and other symptoms signs of the coming storm. The workmen protested against the importation of foreign workers as lowering the price of labour, and made them submit to an entrance fee. They attempted to secure a monopoly of work, just as the masters attempted to secure the monopoly of this or that manufacture. Thus amongst the nail-makers of Paris[24] it was forbidden to hire a compagnon from elsewhere, as long as one belonging to the district was left in the market. Even in the religious brotherhoods, which usually united master and workman at the same altar, a division occurred, and in certain crafts the journeymen formed separate brotherhoods: the working bakers of Toulouse, the working shoemakers of Paris, set up their brotherhoods in opposition to the corresponding societies of masters, and this shows that the dim consciousness of the possession of distinct interests and rights was waking within them.[25]
6. Finally we should take into account the condition of the masters in the lesser guilds where the workshop remained small, intimate, and homely, but these we shall constantly meet with again when we come to study the life and purpose of the guilds, since it was they who made the statutes and administered them. For the present it is enough to mention that women were not excluded from guild life. It would be a mistake to imagine that the woman of the Middle Ages was confined to her home, and was ignorant of the difficulties of a worker’s life. In those days she had an economic independence, such as is hardly to be met with in our own times. In many countries she possessed, for instance, the power to dispose of her property without her husband’s permission. It is therefore natural that there should be women’s guilds organized and administered like those of the men. They existed in exclusively feminine crafts: fifteen of them were to be found in Paris alone towards the end of the thirteenth century, in the dressmaking industry and among the silk-workers and gold-thread workers especially. There were also the mixed crafts—that is, crafts followed both by men and women—which in Paris numbered about eighty. In them a master’s widow had the right to carry on her husband’s workshop after his death. This right was often disputed. Thus in 1263 the bakers of Pontoise attempted to take it from the women, under the pretext that they were not strong enough to knead the bread with their own hands; their claims, however, were dismissed by an ordinance of the Parlement. Another decree preserved to the widows this right even when they were remarried to a man not of the craft.
Nevertheless, in many towns, above all in those where entry into a guild conferred political rights and imposed military duties, the women could not become masters. Condemned to remain labourers, working at home, and for this reason isolated, they appear to have been paid lower wages than the workmen; and certain documents show them seeking in prostitution a supplement to their meagre wages, or appropriating some of the raw silk entrusted to them to wind and spin. But other documents show them as benefiting by humane measures which the workwomen of to-day might envy them. They were forbidden to work in the craft of “Saracen” carpet-making, because of the danger of injuring themselves during pregnancy. This protective legislation dates from the year 1290: for them, as for children, exhausting and killing days of work were yet to come.[26] All the same, one can see the tendency to keep them in an inferior position for life, and, taken along with the strikes and revolts, the first appearances of which amongst weavers, fullers, and cloth-workers we have already mentioned, this clearly shows that, side by side with the half-democratic guilds which were the humblest, there existed others of a very different type.
7. Directly we go on to study the great commercial and industrial guilds profound inequalities appear. Nor do these disappear with time; whether we deal with the bankers’ or with the drapers’ guilds, we find that their organization is already founded on the capitalist system. The masters, often grouped together in companies, are great personages, rich tradesmen, influential politicians, separated from those they employ by a deep and permanent gulf.
The river merchants of Paris, the Flemish and German Hanse, the English Guild Merchants, and the Arte di Calimala in the commune of Florence,[27] may be taken as types of the great commercial guilds. They were the first to succeed in making their power felt, and represent, first by right of priority, and later by right of wealth, all that existed in the way of business, the Universitas mercatorum, and they long retained an uncontested supremacy. Not only the whole body, but the heads of the houses or societies dependent on them, had numberless subordinates, destined for the most part to remain subordinates—cashiers, book-keepers, porters, brokers, carriers, agents, messengers. These paid agents—often sent abroad to the depots, branch houses, bonded warehouses, fondouks, owned collectively or individually by the wholesale merchants whose servants they were—were always under the strictest regulations. Take, for instance, the prohibition to marry which the Hanseatic League imposed on the young employees whom it planted like soldiers in the countries with which it traded. Nor was the Florentine Arte di Calimala, so called after the ill-famed street in which its rich and sombre shops were situated, any more lenient to those of its agents who, especially in France, were set to watch over its interests. The merchants of the Calimala—buyers, finishers, and retailers of fine cloth, money-changers too, and great business magnates, constantly acting as mediums of communication between the West and the East—were far from treating their indispensable but untrustworthy subordinates in a spirit of brotherhood. They looked on them with suspicion as inferiors. They complain of their “unbridled malice”;[28] they reproach them, and probably not without reason, with making their fortunes at the expense of the firms which paid them. It was decided that in the case of a dispute as to wages, if nothing had been arranged in writing, the master could settle the matter at will without being bound by precedent or by anything he had paid in a similar case. If the employee was unlucky enough to return to Florence much richer than he left it, he was at once spied upon, information was lodged against him, and an inquiry instituted by the consuls of the guild; after which he was summoned to appear and made to disgorge and restore his unlawful profits. If he could not explain the origin of his surplus gains, he was treated as a bankrupt, his name and effigy were posted up, and the town authority was appealed to that he might be tortured till a confession of theft or fraud was forced from him; he was then banished from the Commune. Thus we see exasperated masters dealing severely with dishonest servants: capital ruling labour without tact or consideration.
The autocratic and capitalistic character of the great industrial guilds is even more striking.[29]
The woollen industry offers the most remarkable instances. The manufacture of cloth (which was the principal article of export to the Levantine markets) was the most advanced and the most active industry of the Middle Ages, with its appliances already half mechanical, supplying distant customers scattered all over the world. It was the prelude to that intensity of production in modern times which is the result of international commerce.