These were the last words of the interview which decided the destiny of Micheline, of the Prince, of Madame Desvarennes, and of Pierre. The mistress stretched out her hand and rang the bell. A servant appeared, to whom she gave instructions to tell Marechal to come down. She thought it would be pleasant for Pierre to pour out his griefs into the heart of his friend. A man weeps with difficulty before a woman, and she guessed that the young man's heart was swollen with tears. Marechal was not far off. He arrived in a moment, and springing toward Pierre put his arms round his neck. When Madame Desvarennes saw the two friends fully engrossed with each other, she said to Marechal:
"I give you leave until this evening. Then bring Pierre back with you;
I wish to see him after dinner."
And with a firm step she went toward Micheline's room, where the latter was waiting in fear to know the result of the interview.
CHAPTER VI
A SIGNIFICANT MEETING
The mansion in the Rue Saint-Dominique is certainly one of the finest to be seen. Sovereigns alone have more sumptuous palaces. The wide staircase, of carved oak, is bordered by a bronze balustrade, made by Ghirlandajo, and brought from Florence by Sommervieux, the great dealer in curiosities. Baron Rothschild would consent to give only a hundred thousand francs for it. Madame Desvarennes bought it. The large panels of the staircase are hung with splendid tapestry, from designs by Boucher, representing the different metamorphoses of Jupiter. At each landing-place stands a massive Japanese vase of 'claisonne' enamel, supported by a tripod of Chinese bronze, representing chimeras. On the first floor, tall columns of red granite, crowned by gilt capitals, divide the staircase from a gallery, serving as a conservatory. Plaited blinds of crimson silk hang before the Gothic windows, filled with marvellous stained glass.
In the vestibule-the hangings of which are of Cordova-leather, with gold ground-seemingly awaiting the good pleasure of some grand lady, is a sedan-chair, decorated with paintings by Fragonard. Farther on, there is one of those superb carved mother-of-pearl coffers, in which Oriental women lay by their finery and jewellery. A splendid Venetian mirror, its frame embellished with tiny figure subjects, and measuring two metres in width and three in height, fills a whole panel of the vestibule. Portieres of Chinese satin, ornamented with striking embroidery, such as figures on a priest's chasuble, fall in sumptuous folds at the drawing- room and dining-room doors.
The drawing-room contains a splendid set of Louis Quatorze furniture, of gilt wood, upholstered in fine tapestry, in an extraordinary state of preservation. Three crystal lustres, hanging at intervals along the room, sparkle like diamonds. The hangings, of woven silk and gold, are those which were sent as a present by Louis Quatorze to Monsieur de Pimentel, the Spanish Ambassador, to reward him for the part he had taken in the conclusion of the Treaty of the Pyrenees. These hangings are unique, and were brought back from Spain in 1814, in the baggage-train of Soult's army, and sold to an inhabitant of Toulouse for ten thousand francs. It was there that Madame Desvarennes discovered them in a garret in 1864, neglected by the grandchildren of the buyer, who were ignorant of the immense value of such unrivalled work. Cleverly mended, they are to-day the pride of the great trader's drawing-room. On the mantelpiece there is a large clock in Chinese lacquer, ornamented with gilt bronze, made on a model sent out from Paris in the reign of Louis Quatorze, and representing the Flight of the Hours pursued by Time.
Adjoining the great drawing-room is a boudoir upholstered in light gray silk damask, with bouquets of flowers. This is Madame Desvarennes's favorite room. A splendid Erard piano occupies one side of the apartment. Facing it is a sideboard in sculptured ebony, enriched with bronze, by Gouthieres. There are only two pictures on the walls: "The Departure of the Newly Married Couple," exquisitely painted by Lancret; and "The Prediction," an adorable work by Watteau, bought at an incredible price at the Pourtales sale. Over the chimney-piece is a miniature by Pommayrac, representing Micheline as a little child—a treasure which Madame Desvarennes cannot behold without tears coming to her eyes. A door, hidden by curtains, opens on to a staircase leading directly to the courtyard.
The dining-room is in the purest Renaissance style austere woodwork; immense chests of caned pearwood, on which stand precious ewers in Urbino ware, and dishes by Bernard Palissy. The high stone fireplace is surmounted by a portrait of Diana of Poitiers, with a crescent on her brow, and is furnished with firedogs of elaborately worked iron. The centre panel bears the arms of Admiral Bonnivet. Stained-glass windows admit a softly-tinted light. From the magnificently painted ceiling, a chandelier of brass repousse work hangs from the claws of a hovering eagle.