[244] Gab. Charmes, De la Réorganisation du Musée de Boulak.—Mariette, Notice, No. 22.
[245] Louvre. Ground-floor gallery, No. 24.
[246] Ch. Blanc, Voyage dans la Haute-Égypte, p. 153.
[247] Mariette, Notice, No. 20.
[248] Mariette, Notice, No. 866. There is a cast of this statue in the Louvre, but, like that of the statue of Chephren, which forms a pendant to it, it has been coloured to the hue of fresh butter and the result is most disagreeable. Even when placed upon a cast from an alabaster figure this colour is bad enough, but when the cast is one from a statue in diorite, like that of Chephren, it is quite inexcusable. It would have been better either to have left the natural surface of the plaster or to have given to each cast a colour which should in some degree recall that of the originals and mark the difference between them.
[249] For the meaning of this word see Pierret, Dictionnaire, &c.
[250] For illustrations of this statue and an explanation of the name here given to it, see Birch, Gallery of Antiquities, London, 4to.—Ed.
[251] Mariette, Notice du Musée de Boulak, No. 385.
[252] Notice, Nos. 196-7.
[253] Ibid., Nos. 105-15.