[141] Herodotus, i. 186. Diodorus (ii. viii. 2), quoting Ctesias, speaks in almost the same terms of this stone bridge, which he attributes to Semiramis.

[142] Botta, Monuments de Ninive, vol. v. p. 3.

[143] In the valley of the Khabour, the chief affluent of the Euphrates, Layard found volcanoes whose activity seemed only to have been extinguished at a very recent epoch. Long streams of lava projected from their sides into the plain. Discoveries, p. 307.

[144] As for the simple and rapid nature of the process by which crude bricks are manufactured to the present day in Persia, see Texier, L'Arménie et la Perse, vol. ii. p. 64.

[145] As to the employment in Assyria of cedar from the Lebanon, see François Lenormant, Histoire Ancienne, vol. ii. p. 191, and an inscription of Sennacherib, translated by Oppert, Les Sargonides, pp. 52, 53. Its use in Babylon is proved by several passages of the great text known as the Inscription of London, in which Nebuchadnezzar recounts the great works he had caused to be carried out in his capital (Lenormant, Histoire, vol. ii. pp. 228 and 233). We find this phrase among others, "I used in the chamber of oracles the largest of the trees transported from the summits of Lebanon." Layard (Discoveries, pp. 356-7) tells us that one evening during the Nimroud excavations, his labourers lighted a fire to dry themselves after a storm, which they fed with timbers taken from the ruins. The smell of burning cedar, a perfume which so many Greek and Latin poets have praised (urit odoratam nocturna in lumina cedrum, Virgil, Æneid, vii. 13), apprised him of what was going on. In the British Museum (Nimroud Gallery, Case A), fragments of recovered joists may be seen. They are in such good preservation that they might be shaped and polished anew, so as to again bring out the markings and the fine dark-yellow tone which contributed not a little to make the wood so precious. It was sought both for its agreeable appearance and its known solidity; and experience has proved that the popular opinion which declared it incorruptible had some foundation.

[146] Layard, Nineveh, vol. i. p. 223, and vol. ii. pp. 415-418.

§ 2.—The General Principles of Form.

If in our fancy we strip the buildings of Chaldæa and Assyria of all their accessories, if we take from them their surface ornament and the salience of their roofs, the bare edifice that remains is what geometricians call a rectangular parallelopiped.

Of all the types created by this architecture, the only one of which we still possess a few fairly well preserved examples is that of the palace. It is therefore the best known of them all, and the first to excite attention and study. Now, upon the artificial mound, the wide terrace, over which its imposing mass is spread, the palace may be likened to a huge box whose faces are all either horizontal or vertical (Plate V.). Even in the many-storied temples, whose general aspect is modified of course to a great extent by their height, the same element may be traced. We have endeavoured to restore some of these by collating the descriptions of the ancient writers with the remains that still exist in many parts of Mesopotamia (Plates [II.,] [III.,] and [IV.]). Their general form may be described as the box to which we have compared the palace repeated several times in vertical succession, each box being rather smaller than the one below it. By these means their builders proposed to give them an elevation approaching the marvellous. The system was in some respects similar to that of the pyramid, but the re-entering angles at each story gave them a very different appearance, at least to one regarding them from a short distance. Only now and then do we find any inclination like that of the sides of a pyramid, and in those cases it applies to bases alone (Plate [IV.]). As a rule the walls or external surfaces are perpendicular to their foundations.

We may, perhaps, explain the complete absence from Chaldæa of a system of construction that was so universal in Egypt by the differences of climate and of the materials used. Doubtless it rains less in Mesopotamia than even in Italy or Greece. But rain is not, as in Upper Egypt, an almost unknown phenomenon. The changes of the seasons are ushered in by storms of rain that amount to little less than deluges.[147] Upon sloping walls of dressed stone these torrents could beat without causing any great damage, but where brick was used the inconveniences of such a slope would soon be felt. Water does not fall so fast upon a slope as upon a perpendicular wall, and a surface made up of comparatively thin bricks has many more joints than one in which stones of any considerable size are employed. As a rule the external faces of all important buildings were revetted with very hard and well burnt bricks. But the rain, driven by the wind, might easily penetrate through the joints and spread at will through the core of mere sun-dried bricks within. The verticality of Assyrian and Chaldæan walls was necessary, therefore, for their preservation. Without it the thin covering of burnt brick would have been unable to do its proper work of protecting the softer material within, and the sudden storms by which the plains were now and again half drowned, would have been far more hurtful than they were.