Fig. 3.—Plan of Sargon’s palace in its present state; from Place.
We must refer those who wish to study the arrangements of Sargon’s palace in detail to the plans and letterpress of Place. Botta discovered fourteen apartments; Place cleared one hundred and eighty-six. A few more were suggested by him on his restored plan at points where symmetry seemed to demand their existence. His plan, therefore, includes in all, two hundred and nine apartments of various sizes.[12] The adjoining plan, which shows the actual state of the ruins, is sufficient to show the general arrangement (Fig. 3).[13] The longitudinal section (Fig. 4) is taken through the central axis of the building, the position of the staged-tower showing that it is the western half of the palace that has been chosen for reproduction. A good idea of the general physiognomy of the whole may be obtained from our Plate V. This is not a mere reduction from Thomas’s restoration;[14] several details have been sensibly modified. Thus, on the principal façade, barrel vaults have been substituted for domes as being on the whole more probable; battlements have been placed on the parapet of the double ramp, and the perspective, which is very imperfect in Thomas’s plate, has been corrected. Our view is supposed to be taken at some sixteen hundred feet above the ground and at a considerable distance south-east of the platform.
Fig. 4.—Longitudinal section through the palace of Sargon; compiled from Thomas.
We shall here confine ourselves to showing how the Assyrians understood the plan and general arrangement of a royal palace. The buildings of which it was composed were grouped upon a platform shaped like a T.[15] Each of the two parts of this platform was a rectangle. The larger of the two—that within the town walls—had a superficial measurement of about 68,500 square yards, the smaller one of about 40,000 square yards; so that the palace as a whole covered between twenty-four and twenty-five acres of ground, and the brick employed in building it may be put at about 1,750,642 cubic yards. The imagination is oppressed by such figures, especially when we remember that all this mass of material was carried to its place in baskets on men’s shoulders. This we know from those reliefs in which the construction of a palace is figured.[16]
At the first glance the labyrinth of chambers, corridors and courts presented by the above plan seems to offer a hopeless task to one anxious to grasp the principle of its arrangements and to assign its right use to each apartment. Place and Thomas tell us that such was their feeling when they first began to open up the palace, but as the work advanced they grew to understand its combinations. In certain parts of the building objects were found that cast a flood of light upon the original purposes of the rooms in which they occurred; the character and richness of the decoration varied greatly between one part of the palace and another. The arrangement of the side entrances, the rarity or multiplicity of passages, also had their significance. Thanks to the observations made on all these points during the progress of the work we can now understand the economy of the building with some completeness.
Its general arrangements were suggested to the architect by those conditions of life in the east which have changed so little during so many centuries. From this point of view it was soon perceived that the palace was divided into three distinct groups of apartments, groups corresponding exactly to the three great divisions into which every palatial residence of modern India, Persia, or Turkey may be divided. There is the Seraglio, or palace properly speaking, the rooms inhabited by the men, and the sélamlik, in which visitors are received. Then comes the Harem containing the private apartments of the prince with those of his wives and children, who are guarded by eunuchs and waited on by a crowd of female slaves and domestics. Finally there is the Khan, a collection of service chambers that we should call offices. The analogy is so absolute that in our ignorance of the Assyrian names for the three divisions of the palace, we are tempted to make use of those employed throughout the Levant, to designate the different parts of such houses, as, thanks to the wealth of their masters, are provided with all their organs.
It is possible that the palace had some direct outlet to the open country, so that its inhabitants could escape, unknown to the population of the city, in time of tumult, or could make a nocturnal sortie upon an enemy encamped beneath the mound. If there were any such arrangement it must have consisted of staircases contrived in the mound itself and closed, perhaps, at their inferior extremities with heavy bronze doors. No traces of such passages have been found. But even on the side towards the city, the side on which lay the natural approach to the palace, there is no sign of any ramp or staircase by which the forty-six feet of difference between the levels of the platform and the soil upon which the city was built, could be overcome. The palace had two great monumental façades, each pierced with three large openings flanked by winged bulls. One of these façades (that in front of the hall lettered I on the plan) formed one side of a spacious rectangular court (H) and faced towards the north-east. Some of the buildings surrounding this court have entirely disappeared (see plan), but it is certain that it communicated with the platform of the city walls and that of the palace itself by one opening or more. On the north-eastern side Thomas has placed a wide and easy inclined-plane by which horses and other beasts of burden could mount to the platform, so that the king’s chariot could deposit him at the very door of his apartments, and the heavily laden mules and bullocks could deliver their loads in the store rooms which occupied the whole eastern angle of the mound.[17]
The other façade occupies the middle of the south-eastern face and is turned towards the town. It forms a majestic propylæum (Fig. 5) through which the largest of the courts is reached (A on the plan). In the more stately of the city gates foot prints may be traced, while in those that are less ornamental there are marks of wheels, suggesting that some entrances were reserved for pedestrians and others for carriages. It is likely enough that a similar arrangement obtained in the palace, and that in front of this south-eastern gateway there was a flight of steps instead of a continuous ramp. We find such an arrangement at Persepolis where both steps and balustrade, being cut in the rock, are still in good preservation; at Khorsabad, however, there is now no vestige of such a staircase. If the steps have not been carried away they must lie entombed at the very bottom of the débris. We cannot say then that our restoration is, in this particular, beyond contention, but it is both probable in itself and entirely in the spirit of Assyrian architecture. These steps must have been the shortest way from the town to the palace. Horsemen, chariots, convoys of provisions had to make a détour and reach both the palace platform and that of the city walls by the south-eastern ramp.
Let us, too, make use of that approach, and, when we have gained the summit of the incline, turn to our left and pass through the first doorway. This must have been carefully fortified and guarded, for it led directly to the heart of the royal dwelling. It has now entirely disappeared with the northern corner of the mound on which it stood, but we need not hesitate to restore it, with a whole suite of buildings inclosing what must have been the chief court of the palace, so far, at least, as dignity was concerned (H on the plan).[18] West and south-west of this quadrangle there is a group of chambers excavated by Botta, to which we have given the name of the seraglio.