Besides those distinguished personages, there were any number of young officers, all very smart and gallant, and acquitting themselves nobly on the floor of the ballroom under the Duke's indulgent eye. Provided there was no question of neglected duty involved, his lordship liked to see his boys dancing the night through, and always made a point of inviting young officers (of the best families, of course) to his balls. They made a good impression on foreigners: such a nice-looking, well-set up lot as they were! But besides that, his lordship liked the younger men; he kept his eye on the promising ones among them, and would very often single them out above their elders. Colborne had been one of his favoured young men; Harry Smith, that mad boy with the Spanish child-wife; and poor Somers Cocks, who had ended a brilliant career at Burgos. "The young ones will always beat the old ones," said his Lordship, and those he chose for his patronage certainly seemed to prove the truth of his dictum.

As for his personal staff, he was really fond of those youngsters. The oldest of them was Audley at thirty-five, and the rest were mere lads in their twenties, even Lord Fitzroy, at present engaged in shepherding two Belgian ladies to a couple of seats in the front row.

The Duke's eagle eye swept the concert hall, noting with satisfaction that his family were all present, and all performing their duties as hosts to the throng of guests.

A good deal of surprise had been felt in Paris at the youthful aspect of his staff, but his lordship knew what he was about when he chose these young scions of noble houses to live with him. He did not want middle-aged men with distinguished records with him: they could be better employed elsewhere, and would, moreover, have bored him. He wanted polished young men of good families, who were of his own world, who knew how to make themselves pleasant in exalted circles, and could amuse his leisure moments with their adventures, and their fun, and their bubbling energy. On an occasion such as this they were invaluable: nothing awkward about any of them; all well-bred boys who had come to him from Oxford or Cambridge (and not from any new-fangled Military College), accustomed all their lives to moving in the first circles, and consequently assured in their manners, graceful in the ballroom, conversable in the salon.

When he came in with his Royal guests, the rest of the party was already assembled. Everyone stood up, the soldiers to attention, civilian gentlemen deeply bowing, and all the ladies swaying into curtsies like lilies in a high wind. The King and Queen acknowledged their reception, the Duke gave a quick look round, saw that everything was just as it should be, nodded his satisfaction to Colonel Audley, who happened to be standing near him, and escorted the Royals to their places.

The concert began with a Haydn symphony, but although his lordship, who had a great appreciation of good music, enjoyed it, the piece de resistance for most of his guests was the appearance of La Catalani. His lordship described her as being as sharp as a Jew, and Colonel Fremantle had certainly found her so. Nothing could induce her to sing more than two songs, and she had haggled over them. However, when she mounted the platform, she looked as lovely as any angel, and when she opened her mouth and let the golden notes soar heavenwards, even Fremantle felt that he must have misjudged her. She favoured the company first with an aria from Porto-Gullo, and then with an allegro, which showed off the flexibility of her voice to admiration. She was cheered, and encored, but there was no getting another song out of her. She curtsied again and again, blew kisses to the audience, and finally withdrew, apparently exhausted.

The dancing began soon afterwards. The Duke, finding himself standing beside Barbara Childe, said: "Lovely voice that Catalani women has, don't you agree?"

"Yes, she sings like an angel, or a nightingale, or whatever the creature is that sings better than all others. She has put me quite out of temper, I can tell you, for I had a song for you, Duke, and flattered myself I should have made a hit!"

"What? Are you going to sing for me?" he asked, delighted. "Capital! I shall enjoy that, I assure you! What is your voice? Why have I not heard it before?"

"Oh," she said saucily, "it is not my voice which I Depended on to make the hit with you, but the song!"