"Cynthia, dear child!" said Miss Pickhill, repressing, as a Christian, her strong desire to box her niece's ears, "there is no need for you to do that. I will accompany these Persons. You do not want, I am sure, to go into your poor mother's room today."
"Yes, I do," asserted Cynthia obstinately. "Of course it'll practically kill me, but I've got to face it sometime, haven't I? And if I havee to wear this dingy frock, I don't see why I shouldn't have that marvellous black-andsilver scarf of Mummy's, to go with it. She'd like me to: I know she would!"
Miss Pickhill found this speech so daunting that she was unable to think of a reply to it that would not violate her own canons of behaviour towards the bereaved.
Inspector Grant, averting his grave eyes from the pretty, spoilt face of the orphan, encountered a glance from Hemingway, and went up the stairs, carrying the key to Mrs. Haddington's bedroom in his hand. With the exceptions of Miss Spennymoor and Thrimby, the party followed him.
The room was in darkness, the heavy curtains of brocaded silk still being drawn across the windows.
When these had been pulled back, it was seen that Mrs. Haddington's dinner-gown of black velvet had been laid out on the bed, her opulent dressing-gown disposed across a chair, and a pair of paper-thin stockings placed ready for her to put on. Miss Pickhill drew in her breath with a hissing sound, and Cynthia burst into tears. However, when it was suggested to her that she should withdraw from a scene so painfully reminiscent of her loss, she stopped crying, very nobly announcing her determination to face facts, and went to powder her face at the dressing-table between the two windows.
The furniture in the room, besides the bed and the dressing-table, included an enormous wardrobe of Victorian design, the central division of which contained shelves and drawers; an upholstered day-bed, several chairs, and a small walnut bureau on cabriole legs, which stood on one side of the fireplace. The top of this contained nothing of more interest than two cheque-books; an engagement diary; a bundle of letters tied up with faded ribbon, which a cursory glance informed Hemingway were the letters Cynthia had written to her mother from school; and a quantity of writing-paper and envelopes. There were three drawers to the bureau, the two small top ones containing such oddments as sealing-wax, a supply of postcards, stamps and telegraph-forms; the long drawer beneath them was, unlike them, locked. In it lay a piece of petit-point, with the needle still stuck in it, a sewing-bag, and, lying beneath the unfinished embroidery, a large black lace fan, mounted on ebony sticks.
The sight of it most vividly conjured up the picture of Mrs. Haddington, as he had first seen her, to Hemingway's memory. She had been holding the fan between her ringed hands, gripping it rather tightly when some question he had asked her annoyed, or perhaps alarmed her. Hemingway lifted it out of the drawer, staring at it. Across the polished guards several deep scratches were visible, andd where the lace-leaf protruded beyond them he saw that it had been slightly torn. Standing with his back to the room, he carefully opened the fan, observing as he did so that it had suffered some kind of a wrench which had thrown the sticks out of the straight. The tear in the lace cut irregularly across the leaf, small holes occurring here and there only, but always in the same diagonal line. He shut it, found Grant at his elbow, and gave it to him, muttering: "Take that, and keep your mouth shut!"
"You won't find anything in there," Cynthia said, over her shoulder. "That's only where Mummy keeps her work!"
Hemingway shut the drawer. "So I see, miss. Now, if you'll be so good, I should like just to look inside the wardrobe."