"Can you understand me when I say that I retain a livelier sense of the loveliness of those scenes which are connected in my mind with acute sorrow (provided they be beautiful in themselves), than of those where I have only known happiness? Or does this seem to you nonsense? There is a spot in the world where I once stood for a quarter of an hour alone, suffering so intensely, that even now, when I think of it, I wonder how, at the end of that time, I could meet the eyes of others as I did, and show no outward signs of the anguish I was enduring. Well, Mary, strange as it may seem to you, there is not another spot in the world, the natural beauties of which are so indelibly stamped on my recollection, or which seem to have so entered into my soul. I never feel so much the unalterable beauty and perfect harmony of the material world as when the moral world within me is shaken to pieces and leaves me not even a reed to lean upon. It is the same with music. Once, when a fearful struggle was going on within me, and (no matter whether right or wrong) I thought myself very near death, an organ in the street played a Scotch air which I had heard a thousand times before; but then, for the first time, I understood it. Each note had a meaning, each modulation had a sense, which has never been lost to me since. Suffering and emotion are necessary (I believe it firmly) to expand our faculties in every line, and, with our powers of comprehension, increase our powers of admiration. I shall never feel the real beauty of military music, or the full sense of the muffled roll of the drum, till it leads me to battle, or marshals me to execution. Is it the same with my affections? Perhaps it is. Perhaps it is not in my nature passionately to love where I have never suffered. Perhaps if it had been my fate, after having from the days of childhood formed to myself an ideal image of what my soul could worship; after having met with the realisation of that dream of my fancy—a realisation as much more beautiful, as much more enchanting as life is superior in its most perfect form to the highest stretch of genius in the painter; if it had been my fate, after having watched, and followed, and loved, and doated on this woman during a year, which seemed to me but as an hour, so great was the love I bore her; had it been my fate to possess her, to call her mine, perhaps I should only have been, after a while, very fond of her, as men are of their wives—very glad to find her at home, after a day spent in the House of Commons, at one time of the year, or in shooting, at another. She might only have been one object to me among many others. It might have been so, though it is difficult to believe it; but we must believe what we see, nor dare to assert that the idol enshrined in our heart in hope, in fear, and in suffering, would have maintained its sway in the dull atmosphere of secure possession.
"We arrived at Elmsley on a lovely evening, and not a room in the house, not a spot in the grounds did I leave unvisited. While Edward and Lawson were engaged on the county registers and reports, as if their whole souls were bound up in them, I stood on the verandah, and looked on each well-known object in that lovely view till the whole was wrapt in darkness. That gradual obscuring of each spot which, when I first stood there, was glowing in the light of the evening sun, reminded me of my last conversation with you, when, in answer to the confession you extorted from me, you took up a book from your table and pointed to these lines, which I only read once, but have remembered ever since:—
'Nay, rather steel thy melting heart
To act the martyr's sternest part;
To watch, with firm unshrinking eye,
Thy darling visions as they die;
Till all bright hopes and hues of day
Have faded into twilight gray.'—Christian Year.
"But enough of all this. Our canvass has been eminently successful; Edward has exerted himself amazingly. On the nomination-day he really spoke admirably. It is impossible not to be struck with his strong sense, his uncompromising rectitude and steady moral decision of character. He is so animated, too, by all these subjects; quite enthusiastic, in his way, about the interests of the people, and the new field of exertion which his present prospects open to him. It is plain that he has a genius more fitted for active than for contemplative life,—and so much the better for him; for a man, this is the happiest of dispositions: and he will be happy; for there is nothing in his character incompatible with quiet enjoyment; no violent passions and feelings; no morbid sensibility; with him all is sober, practical, and rational.
"Good-bye, my dear Mary. I am happy to think that Alice is with you. Remember what you promised me; watch over her as you would over a flower which a breath might, sully or a breeze destroy. Thank God, you and I are no longer strangers to each other's thoughts and hearts.
"Your ever affectionate brother,
"H. LOVELL."
Could Mrs. Middleton have intended me to see this letter? Had she, perhaps, promised Henry to show it me? No, this was entirely, utterly impossible. It must have been a mistake; and I would not inform her of it, lest it should agitate and distress her. Henry had evidently imparted to her the secret of his unconquerable attachment to me. Was this wise in his own interest? Did it correspond with his usual caution, and, above all, with his recent behaviour? It seemed to me strange; but Mrs. Middleton was easily worked upon: she did not know Henry as I knew him; she thought him like herself; and because their minds were in unison, she fancied their hearts were alike. His power was so great over those who loved him, when he chose to exert it, that it seemed to me, now, as if he had taken up a new position, and, through his wife and his sister, meant to rivet the chain which bound us together. Never did two people know each other as well as Henry and myself. I always read his motives through the veil which he flung over them, and which, perhaps, concealed them sometimes from himself. He was a practical artist; his own life was the canvass on which he worked; and that was the reason why, with a selfish heart and an unprincipled mind, he possessed all the graces of emotion, all the charms of feeling. This letter (clever and well aimed as it was—for it touched upon the very wound which had been rankling in my heart during the last few days) failed in its object, if, indeed, he had hoped that it would meet my eyes; for, as I read his account of Edward—as I felt the pain it was meant to inflict—as I acquiesced in the truth of some of his remarks, and indignantly repelled others, the cry of my heart, as I threw it from me, was in these words: "Rather be his slave than your idol."
On the following Saturday they both returned to London, and when I found myself again with Edward, I forgot everything in the joy of the moment. But when I was told that the day of our marriage was positively fixed for the following Monday, it seemed to me as if it was the first time that I had really believed it would take place, as if I had never considered before all that that step involved. For the first time I thought of what it would be to one in my peculiar situation, not only to love as I had long done, but to be bound by irrevocable ties to one who, ignorant of all the circumstances of my miserable fate, would wonder over each inequality of spirits I betrayed, condemn every tear I shed, read every letter I received, and, at the slightest appearance of equivocation or deceit, would banish me from his heart, and overwhelm me with his just anger. But it was too late, I said to myself—too late to retract, too late to think. I mentally closed my eyes, and passed through the next twenty-four hours like some one walking in his sleep.
On the next day (Sunday) I saw Henry for one moment as we were walking out of church. I told him, in a low voice, of Robert Harding's appearance in the parks on the last Wednesday, and of his following us through the streets.