With all the elaborate airs and dress which prevailed in the eighteenth century there was a coarseness of taste and behaviour which is in odd contrast to the exaggerated politeness affected by beaux and élégantes. There seems a good foundation for Walpole’s description of the gaiety of the women as “an awkward jollity.” The diversions of the great ladies read strangely to our modern ears. What would be thought now of dukes and duchesses going about London with their friends in hired vehicles to see the sights? But in the spring of 1740, the Duke and Duchess of Portland organized a jaunt (as one of the party described it) to the City to see the City show-places. There were four ladies and four gentlemen, and they set out at ten o’clock in the morning in a couple of hackney coaches, made a comprehensive tour, and wound up by dining at a City tavern. “I never spent a more agreeable day,” writes one of the ladies of the party.

The fashionable diversions, balls and routs, were repeated over and over again at every watering-place.

“Pleasure with an English lady is a capital and rational affair. A party at Bath is perhaps the fruit of six months’ meditation and intrigue: she must feign sickness, gain over the servants, corrupt the physician, importune an aunt, deceive a husband, and in short have recourse to every artifice in order to succeed, and the business at last is to get fully paid for all the pains that have been taken. Pleasure is so much the more attractive to the English women as it is less familiar and costs them more to obtain. Melancholy persons feel joy more sensibly than those who are habituated to it.”[70]

Amusements had no background of broad general interests. It was inevitable that their effect should be enervating. Some fresh zest was wanting, and it was found in a licentiousness of manner, just as flavour was added to conversation by doubtful anecdotes. A phrase in general use was “demi-reps.” It was the fashion to abbreviate words, and “rep” was commonly used for “reputation,” a thing in constant danger of being lost or destroyed at tea-tables. Walpole, writing in the last quarter of the century, notes with pleasure and surprise the unusual occupations of some of his fair friends, who busied themselves with carving and decorative work to adorn the interior of their houses.

“How much more amiable,” he says, “the old women of the next age will be than most of those we remember who used to tumble at once from gallantry to devout scandal and cards, and revenge on the young of their own sex the desertion of ours. Now they are ingenious. They will not want amusement.”

The great ladies of the eighteenth century sadly wanted amusement, for they had nothing else to fill up their time. It was not fashionable to be philanthropic, to start societies for the propagation of new social creeds. And there were not nearly so many diversions. There was no fishing in the Norwegian fjords in the summer, no autumn shooting-parties among the Scotch moors, no winter trips to the Riviera. At Bath, Tunbridge Wells, and other spas whither the fashionable world resorted, the social round was only varied by the bathing and drinking. The bad state of the roads often afforded diversion to the young, and many a merry mishap befell parties returning from festivities in the country. It certainly added to the excitement of a ball to know that there was every probability of being overturned on the road, or having to ford a stream swollen by the rain. The vivacious Elizabeth Robinson (afterwards Mrs. Montagu) describes how greatly she relished a break-down of the carriage on the return journey after a ball in the country.

The highwaymen who haunted the outskirts of London lent a melodramatic colour to all assemblies after dark. Even in broad daylight people who had anything to lose traversed unfrequented roads with fear and trembling. Certainly these conditions of social life averted the danger of monotony.

Looked at from another side, the great lady of the eighteenth century bears favourable comparison with the great lady of modern times. She was a more distinct individual influence in society than her successors. And yet neither then nor later had we salons comparable to those in Paris.

“Il n’y a pas à Londres comme à Paris des bureaux de femmes de bel esprit. Les auteurs anglais ne consultent pas les femmes; ils ne mendient pas leurs suffrages. Les affaires publiques intéressent le beau sexe anglais, mais il ne s’ingère pas de décider entre les intérêts de l’opposition et de la cour. Les femmes dans le monde, ne parlent ni de guerre, ni de politique, pratiquent leur religion et ne discutent point des dogmes. En général les femmes anglaises sont douces, modestes, et vertueuses.”[71]