We already speak of live and dead iron, of live and dead engines or half-dead and half-sick engines, and we have learned that there is such a thing as tired steel. What people do to steel makes a difference to it. Steel is sensitive to people. My human spirit grows my arm and moves it and guides it and expresses itself in it, keeps re-creating it and destroying it; and daily my soul keeps rubbing out and writing in new lines upon my face; and in the same way my typewriter, in a slow, more stolid fashion, responds to my spirit too. Two men changing typewriters or motor-cars are, though more subtly, like two men changing boots. Sewing machines, pianos, and fiddles grow intimate with the people who use them, and they come to express those particular people and the ways in which they are different from others. A Titian-haired typewriter girl makes her machine move differently every day from a blue-eyed one. Typewriters never like to have their people take the liberty of lending them. Steel bars and wooden levers all have little mannerisms, little expressions, small souls of their own, habits of people that they have lived with, which have grasped the little wood and iron levers of their wills and made them what they are.
It is somewhere in the region of this fact that we are going to discover the great determining secret of modern life, of the mastery of man over his machines. Man, at the present moment, with all his new machines about him, is engaged in becoming as self-controlled, as self-expressive, with his new machines, with his wireless telegraph arms and his railway legs, as he is with his flesh and blood ones. The force in man that is doing this is the spiritual genius in him that created the machine, the genius of imperious and implacable self-expression, of glorious self-assertion in matter, the genius for being human, for being spiritual, and for overflowing everything we touch and everything we use with our own wills and with the ideals and desires of our souls. The Dutchman has expressed himself in Dutch architecture and in Dutch art; the American has expressed himself in the motor-car; the Englishman has expressed himself, has carved his will and his poetry upon the hills, and made his landscape a masterpiece by a great nation. He has made his walls and winding roads, his rivers, his very treetops express his deep, silent joy in the earth. So the great, fresh young nations to-day, with a kind of new, stern gladness, implacableness, and hope, have appointed to their souls expression through machinery. Our Engines and our radium shall cry to God! Our wheels sing in the sun!
Machinery is our new art-form. A man expresses himself first in his hands and feet, then in his clothes, and then in his rooms or in his house, and then on the ground about him; the very hills grow like him, and the ground in the fields becomes his countenance; and now, last and furthest of all, requiring the liveliest and noblest grasp of his soul, the finest circulation of will of all, he begins expressing himself in his vast machines, in his three-thousand-mile railways, in his vast, cold-looking looms and dull steel hammers. With telescopes for Mars-eyes for his spirit, he walks up the skies; he expresses his soul in deep and dark mines, and in mighty foundries melting and re-moulding the world. He is making these things intimate, sensitive, and colossal expressions of his soul. They have become the subconscious body, the abysmal, semi-infinite body of the man, sacred as the body of the man is sacred, and as full of light or of darkness.
So I have seen the machines go swinging through the world. Like archangels, like demons, they mount up our desires on the mountains. We do as we will with them. We build Winchester Cathedral all over again, on water. We dive down with our steel wheels and nose for knowledge—like a great Fish—along the bottom of the sea. We beat up our wills through the air. We fling up, with our religion, with our faith, our bodies on the clouds. We fly reverently and strangely, our hearts all still and happy, in the face of God!
CHAPTER V
AN OXFORD MAN AND AN INCH OF IRON
The whole process of machine-invention is itself the most colossal, spiritual achievement of history. The bare idea we have had of unravelling all creation, and of doing it up again to express our own souls—the idea of subduing matter, of making our ideals get their way with matter, with radium, ether, antiseptics, is itself a religion, a poetry, a ritual, a cry to heaven. The supreme, spiritual adventure of the world has become this task that man has set himself, of breaking down and casting away forever the idea that there is such a thing as matter belonging to matter—matter that keeps on in a dead, stupid way, just being matter. The idea that matter is not all alive with our souls, with our desires and prayers, with hope, terror, worship, with the little terrible wills of men and the spirit of God, is already irreligious to us. Is not every cubic inch of iron (the coldest-blooded scientist admits it) like a kind of little temple, its million million little atoms in it going round and round and round dancing before the Lord?
And why should an Oxford man be afraid of a cubic inch of iron, or afraid of becoming like it?
I daily thank God that I have been allowed to belong to this generation. I have looked at last a little cubic inch of iron out of countenance. I can sit and watch it, the little cubic inch of iron, in its still coldness, in all its little funny play-deadness, and laugh! I know that to a telescope or a god, or to me, to us, the little cubic inch of iron is all alive inside, that it is whirling with will, that it is sensitive in a rather dead-looking but lively cosmic way, sensitive like another kind of more slowly quivering flesh, sensitive to moons and to stars and to heat and cold, to time and space and to human souls. It is singing every minute low and strange, night and day, in its little grim blackness, of the glory of Things. I am filled with the same feeling, the same sense of kindred, of triumphant companionship, when I go out among them and watch the majestic family of the machines, of the engines, those mighty Innocents, those new awful sons of God, going abroad through all the world, looking back at us when we have made them, unblinking and without sin!