I would like to try to express the type of modern man who, as it seems to me, is about to prove himself the real ruler of our modern world, the silent master of what the crowds shall think. It has seemed to me that it is going to be a man of a marked type, and of a particular temperament, to whom we will have to look in our new and crowded world for the crowd-interpreter, or man who touches the imagination of crowds.

As our whole labour problem to-day turns on our being able to touch the imagination of Crowds, it may not be uninteresting in the next chapter to consider what a man who can do this will probably be like and the spirit in which he will do it.


CHAPTER V

THE CROWD-MAN—AN INVENTION FOR MAKING CROWDS SEE

When Wilbur Wright flew around the Statue of Liberty in New York the other day, his doing it was a big event; but a still bigger event, as it seems to some of us, was the way he felt about New York when he did it. All New York could not make him show off. Hundreds of thousands of people on roofs could look up at the sky over New York, for him to go by, all that they liked. He slipped down to Washington without saying anything, on the 3:25 train, to attend to flying as part of the serious business of the world.

Why fly around a little town like New York, or show your bright wings in the light, or circle the Statue of Liberty for fun, when you are reconstructing civilization, and binding a whole planet together, and wrapping the heavens close down around the earth, and making railroads everywhere out of the air? New York is always a little superficial and funny about itself. All it needs to do, it seems to think, is to snap its fingers at a man of genius anywhere on this broad world, whisper to him pleasantly, and he will trot promptly up, of course, and do his little turn for it.

But not Wilbur Wright. Wilbur Wright would not give two million people an encore, or even come back to bow. As one looked over from Mount Tom one could see all New York black and solid on the tops of its roofs and houses looking up into a great hole of air for him, and Wilbur Wright slipping quietly off down to Washington and leaving them there, a whole great city under the sky, with its heads up!

A little experience like this has been what New York has needed for a long time. It takes a scientist to do these things. I wish there were some poet who would do as well. Even a prophet up above New York—or seer of men and of years—glinting his wings in the light, the New York Sun and the World and the Times down below, all their opera-glasses trained on him, and all those little funny reporters running helplessly about, all the people pouring out from Doctor Parkhurst's church to look up.... It would be something.

Probably there are very few capitals in the world—Paris, Berlin, or London—that would not be profoundly stirred and possibly much improved by having some man suddenly appear up over them, who would be so interested in what he was doing that he would forget to notice whether anybody was looking—who would be capable of slipping off quietly and leaving an entire city with its heads up, and going on and attending to business.