His daughter did not appear to share his composure; she was nervous and embarrassed. She swept off the evidences of her dressmaking with a few rapid movements, and took them away to the shadows of the far end of the room, hung another paper flower over the blinding glare of the second lamp, and, sitting by the table, let her glance stray furtively about for further details that needed correcting. John Gault, who appeared to be awarding a polite attention to the colonel’s conversational amenities, was conscious of her every movement.
Viola Reed was one of those women that nature seems to have intended to make completely and satisfyingly beautiful, the intention having been changed only at the last moment. The upper half of her head was without a fault—the low forehead, the wonderful hair, thick and wavy, and so instinct with life that every separate filament seemed to stand out from its fellows, in color a warm, bright blond, and with shorter hairs about the ears and temples which curled up in golden threads. In strange contrast with this brilliant hair were level, dark-brown eyebrows, that were low over large gray eyes. She had the same dark-brown lashes, which grew wide apart and turned back, a rare beauty, and one which imparts an expression of soft, wistful tenderness to the eyes thus encircled.
Here Viola’s beauty ended. Her other features were, at least, inoffensive. She was tall and beautifully formed, but in the slenderest mold. To the Californian ideal she was thin. But her movements were distinguished by a supple grace denied to women of a more stately build and proportion. To-night she wore a shirt-waist, washed out from its original pink to a wan flesh-color, and a scanty black stuff skirt, belted with a black ribbon. Gault, with his eyes fixed on the colonel, was aware of the stealthy rearrangement she made of the ribbon round her neck, and the movements of the investigating hand with which she pushed back her loosened hair-pins.
As was her custom, she made little attempt to join in the conversation. The evening settled down into a replica of its predecessors. The fact that Gault was becoming a familiar figure in the bare front parlor did not seem to abate the colonel’s buoyant appreciation of him as a good listener.
The younger man, with his glance on the floor and an expression of polite attention on his face, found himself wondering, with inward amusement, what his friends would say if they could have had a glimpse of him, listening, silently and submissively, to the reminiscences of Colonel Ramsay Reed. The conjecture called up such a picture of incredulous astonishment and disbelief that a smile broke out on his lips. Aware of its incongruity, he stole a quick, apprehensive look at Viola. She was watching him with a surprise evidently tempered by pain at the thought that his amusement might be evoked by her father’s garrulity. Gault’s gravity became intense, and the colonel, who was too engrossed in the joy of having secured a victim to notice anything, went gaily on. He was launched on his favorite subject—the men he had assisted to affluence in the early days.
“There’s Jerry McCormick. You know where he is now? No need to ask any one that; has been a member of Congress, can draw his check for a million, his wife a leader of society, and his daughters marrying English lords. You know them, of course?”
The visitor made an affirmative sign, and the colonel continued:
“Well, I made that man. When I first ran against McCormick he was working in the mines up in Tuolumne, with the water squelching in his boots. In those days a dollar to Jerry looked about as big as a cart-wheel. His wife was glad enough to do a little washing, and his daughter—the youngest ones weren’t born then, but the eldest, the one that married the English lord, was—used to run round barefoot, and bring her father his dinner in a tin pail.”
“I’m sure she doesn’t know what a tin pail is now,” said Gault, a mental picture rising in his mind of the magnificent Lady Courtley as he had seen her on her last visit to her parents.