Gran looked, not at the torch at all but at Bébita's face, smiled into it, said, "Dearest, it's lovely and I'm so glad it's come," and went back to her reading.
It was all disappointing, and Bébita, as a last resource, had to try Miss Maitland, who, if not a relation, was always sympathetic and responsive. The Secretary was reading too, holding her letter up high, almost in front of her face. Bébita laid a sly finger on the top of it, drew it down and sparked the torch right at Miss Maitland.
In the shoot of brilliant light the Secretary's face was like that of a stranger—hard and thin, the mouth slightly open, the eyes staring blankly at Bébita as if they had never seen her before. For a second the child was dumb, held in a scared amazement, then backing away she faltered:
"Why—why—how funny you look!"
The words seemed to bring Miss Maitland back to her usual, pleasant aspect. She drew a deep breath, smiled and said:
"I was thinking, that was all—something I was reading here. The torch is beautiful; you must let me try it, but not now, I have to go. I've read the papers to Gramp and I've work to do in my study."
Any one who knew Miss Maitland well might have noticed a forced sprightliness in her voice. But no one was listening; Suzanne had gone and Mr. and Mrs. Janney were engrossed in their correspondence. She stole a look at them, saw them unheeding and, with a farewell nod to Bébita, rose and crossed the balcony. As she entered the house, the will that had made her smile, maintained her voice at its clear, fresh note, relaxed. Her face sharpened, its soft curves grew rigid, her lips closed in a narrow line. With noiseless steps she ran through the wide foyer hall and down a passage that led to the room, reserved for her use and called her study. Here, locking the door, she came to a stand, her hands clasped against her breast, her eyes fixed and tragic, a figure of consternation.
[CHAPTER III—ANOTHER LETTER AND WHAT FOLLOWED IT]
Suzanne, her letter crumpled in her hand, had gone directly to her own room. There she read it for the second time, its baleful import sinking deeper into her consciousness with every sentence. It was in typewriting and bore the Berkeley postmark:
" Dear Mrs. Price:
"This is just a line to give your memory and your conscience a jog. Your bridge debts are accumulating. Also, I hear, there are dressmakers and milliners in town who are growing restive. If there was insufficient means I wouldn't bother you, but any one who dresses and spends as you do hasn't that excuse. Perhaps you don't know what is being said and felt. Believe me you wouldn't like it; neither would Mrs. Janney. It is for her sake that I am warning you. I don't want to see her hurt and humiliated as she would be if this comes out in The Eavesdropper, and it will unless you act quickly. 'There's a chiel among you takin' notes' and that chiel's had a line on you for some time. So take these words to heart and as the boys say, 'Come across.'
" A Friend."