As for himself, he was out of it, the mystery was solved and he could go his way in peace of mind. It was a fortunate ending, come just in time. There was no need now for any more folly or philandering. They were cut off short, romance snipped by Fate's shears, a full stop put at the last word of the sentence. He had no fears of Pancha, she knew too much to make trouble, and anyway there was nothing for her to make trouble about. He had treated her with a consideration that was nothing short of chivalrous. Even if there had been anyone belonging to her to take him to task he could defend his conduct as that of a Sir Galahad—and there wasn't anyone.
He felt brisk, light, mettlesome. Troubles that had threatened were dispersed; the future lay fair before him. Relieved of all encumbering obstacles, it extended in clear perspective toward his idea. With keen, contemplative eye he viewed it at the end of the vista, calculating his distance, gathering his powers to cover it in a swift dash, sure of his success.
CHAPTER XVII
THE WOLF IN SHEEP'S CLOTHING
One afternoon, a week later, Chrystie Alston was crossing Union Square Plaza. It was beautiful weather, the kind that comes to San Francisco after long spells of rain. Across the bay the distances were deep-hued and crystal-clear, the hills clean-edged against a turquoise sky. Green slopes showed below the dense olive of eucalyptus woods and around the shore were the white clusterings of little towns. Where the water filled in the end of a street's vista it was like an insert of blue enameling, and from the city's high places Mount Diavolo could be seen, a pointed gem, surmounting in final sharpness the hill's carven skyline.
Chrystie felt the exhilaration of the air and the sun, and walked with a bounding, long-limbed swing. She was a glad and prosperous figure, silk skirts swept by scintillant lights eddying back from the curves of her hips, glossy new furs lying soft on her shoulders, and on her bosom—a spot of purple—a bunch of violets. Her eyes were as clear as the sky, and her hair, pressed down by the edge of a French hat, hung in a misty golden tangle to her brows. No one needed to be told she was rich and carefree. Her expensive clothes revealed the former, her buoyant step and happy expression, the latter condition.
She was halfway across the Plaza when her progress suffered a check. There was a drop in her swift faring, a poised moment of indecision. During the halt her face lost its blithe serenity, showed a faltering uncertainty, then stiffened into resolution. Inside her muff her hands gripped, inside her bodice her heart jumped. Both these evidences of agitation were hidden and that gave her confidence. Assuming an air of nonchalance she moved forward, her gait slackened, her eyes abstractedly shifting from the sky to the shrubs.
Boyé Mayer, advancing up the path, saw she had seen him and drew near, watchfully amused. Almost abreast of him she directed her glance from the shrubs to his face. Surprise at the encounter was conveyed by a slight lifting of her brows, pleasure and greeting by a smile and inclination of the head. Then she would have passed on, but he came to a stop in front of her.
"Oh, don't go by as if you didn't want to speak to me," he said, and pressed a hand that slid warm out of the new muff.
Standing thus in the remorseless sunshine she was really very handsome, her skin flawless, her lips as red and smooth as cherries. And yet in spite of such fineness of finish there was no magic about her, no allure, no subtlety. Achieving graceful greetings he inwardly deplored it, noting as he spoke how shy she was and how she sought to hide it under a crude sprightliness. There was a shyness full of charm, a graceful gaucherie delightful to watch as the gambolings of young animals. But Chrystie was too conscious of herself and of him to be anything but awkward and constrained.