Mrs. Kirkham was going to make a night of it, and afterward took her party to Zinkand's for supper. Here, too, it was very exciting, too much claiming one's attention for private worries to intrude. The opera crowd came thronging in, women in beautiful clothes, men one's father had known, youths who had come to one's house. Some of the ladies who had been Minnie Alston's friends stopped to have a word with Lorry and then swept on making murmurous comment to their escorts—the Alston girls were coming out of their shells, beginning at last to take their places; it was a pity they went about with fossils of the Stone Age like Mrs. Kirkham, but they had a queer, old-fashioned streak in them—ah, there's a vacant table!
It was past midnight when Mrs. Kirkham dropped Lorry at her door and rolled off with the rest of her cargo. The joy of the evening was still with the girl as she entered the hall. She stood there for a moment, pulling off her gloves and looking about with the prudent eye of a proprietor. In its roving her glance fell on a letter in the card tray. It was addressed to her and had evidently come after she had left. Standing under the single gas jet that was all Fong's thrifty spirit would permit, she opened it.
Anonymous and written in an unknown hand it struck upon her receptive mood with a staggering shock.
It came, a bolt from the blue, but a bolt that fell precise on a spot ready to accept it. It was like a sign following her troubled premonitions, an answer to her anxious queries. If its author had known just how Miss Alston's thoughts had been engaged, she could not have aimed her missile better or timed it more accurately.
During the first moment she saw nothing but the central fact—the concealed love affair of which the writer thought she was cognizant. Her mind accepted that instantaneously, corroborating memories coming quick to her call. They flashed across her mental vision, vivid and detached like slides in a magic lantern—glimpses of Chrystie in her unfamiliar brooding and her flushed elation, and the walks, the long walks, from which she returned withdrawn and curiously silent—the silence of enraptured retrospect.
Then quick, leaping upon her, came the recollection of Chrystie's departure that afternoon—the clinging embrace, the rush down the steps, the absence of her face at the carriage window. Lorry gave a moan and her hands rose, clutched against her heart. It was proof of how her lonely life had molded her that in this moment of piercing alarm, she thought of no help, of no outside assistance to which she could appeal. She had always been the leader, acted on her own initiative, and the will to do so now held her taut, sending her mind forces out, clutching and groping for her course. It came in a low-breathed whisper of, "The Barlows," and she ran to the telephone, an old-fashioned wall instrument behind the stairs. As she flew toward it another magic lantern picture flashed into being—Chrystie boring down into her trunk and the pile of money on the bureau. That forced a sound out of her—a sharp, groaned note—as if expelled from her body by the impact of a blow.
She tried to give the Barlows' number clearly and quietly and found her voice broken by gasping breaths. There was a period of agonized waiting, then a drowsy "central" saying she couldn't raise the number, and Lorry trying to be calm, trying to be reasonable—it must be raised, it was important, they were asleep that was all. Ring—ring—ring till someone answers.
It seemed hours before Roy Barlow's voice, sleepy and cross, came growling along the wire:
"What the devil's the matter? Who is it?"
Then her answer and her question: Was Chrystie there?