Mrs. Long, of fond memory, put me at once at my ease with her kindly manner. Her great brown eyes looked into mine and inspired me with such confidence that soon I was warbling as freely as if I were at home alone. I no longer heeded the rain, my appearance, or my surroundings. To my delight I was accepted at once as a pupil, and it is to this excellent and thorough teacher that I can give thanks for proper guidance in my early years. My aversion and distaste for the drudgery of scales and routine manifested itself quickly, but Mrs. Long knew the best arguments for my rebellious little soul, and, as I really did wish to become a great and noble singer, I worked as faithfully at my tasks as I could.
Meanwhile I began to sing occasionally in the Congregational Church in Melrose. My mother from this time kept a scrapbook of newspaper notices concerning me, for I was now beginning to become known as a local celebrity. The first clipping in my mother's scrapbook is from the "Melrose Journal" of May 21, 1895, and is as follows:—
Miss Geraldine Farrar, daughter of Mr. and Mrs. S. D. Farrar, has a voice of great power and richness. Many who heard her for the first time, at the Vesper service last Sunday afternoon, were greatly surprised. She is only thirteen years of age, but has a future of great promise, and it is believed that Melrose will some day be proud of her attainments in the world of music.
As a result of the church singing and the fact that I was actually studying in Boston under the famous Mrs. Long, I was invited to sing at my first regular concert. The programme, carefully preserved by my mother, shows that it was organized by Miss Eudora F. Parkhurst in aid of the piano fund for the Melrose Highlands Congregational Vestry and that it took place on Wednesday evening, January 15, 1896, in the Town Hall of Melrose. I sang two numbers, "Non conosci il bel suol," from "Mignon" (I note my Italian had improved), and Auguste's "Bird on the Wing." Of this interesting event, my first public appearance in concert, the "Melrose Journal" of the next day said:—
Miss Eudora Parkhurst's concert in aid of the piano fund of the Highland Congregational Church, given in the Town Hall Wednesday evening, attracted a small audience. Miss Parkhurst, who is a very young lady and herself a musician of considerable ability, put a great deal of work into the concert and its details, and it is to be regretted that it could not have been better patronized. Miss Geraldine Farrar was the leading attraction, rendering her two solos with great confidence and ability. For her first number she sang "Non conosci il bel suol," from "Mignon," rendering the difficult music with surprising ease and fidelity, receiving a recall. Her second number, "Bird on the Wing," was also well received. The Alpine Quartet, of Woburn, Miss Cora Cummings, banjo soloist, Miss Welma Cummings and Miss Parkhurst, violinists, and Miss Bessie Adams, reciter, were the other attractions. Mr. Grant Drake presided at the piano as accompanist.
I find in my personal notes of comment on this interesting programme that I disliked the banjo as an instrument, though Miss Cummings played well, and that Mr. Drake, the pianist, was "very nice." Even in those days I was given to analysis.
My success at this recital led directly to another public appearance—February 5, 1896—in the Y.M.C.A. Hall at Melrose, at a concert given by Miss Jennie Mae Spencer, a Boston contralto, through whose friendship and advice I had gone to study with Mrs. Long. This was the first time my name appeared in large type as one of the principal singers, and I was greatly pleased.
This was the first paying professional appearance I ever made; for singing one number and a duet with Miss Spencer I received the magnificent sum of ten dollars. But this concert called me to the attention of the music critics of Boston, and the critic of the "Boston Times" wrote:—
Miss Geraldine Farrar is a young girl who has a phenomenal soprano voice and gives promise of becoming a great singer.