The English kings had not as yet paid much attention to books. Eleven are mentioned in the wardrobe accounts as belonging to Edward I., and not until the time of Henry VII. was any serious consideration given to the formation of the Royal Library.
Among the more famous continental book collectors of a later period were Matthias Corvinus, King of Hungary, and Frederick, Duke of Urbino. The library of the King of Hungary perhaps excelled all others in its size and splendour. It is said to have contained nearly fifty thousand volumes, but only a comparatively small number survived the barbarous attack of the Turks, who stole the jewels from the bindings and destroyed the books themselves. The Duke of Urbino's library was scarcely less magnificent, and was distinguished by its completeness. All obtainable works were represented, and no imperfect copies admitted. The duke had thirty-four transcribers in his service.
After the monastic libraries had been destroyed, and when old ideas were beginning to give place to new, the restrictions formerly placed on the reading of the Scriptures by the people at large were withdrawn. In an Injunction, dated 1559, Elizabeth ordered that the people were to be exhorted to read the Bible, not discouraged, and she directed the clergy to provide at the parish expense a book of the whole Bible in English within three months, and within twelve months a copy of Erasmus' Paraphrases upon the Gospels, also in English. These books were to be set up in the church for the use and reading of the parishioners. The chain is not mentioned in the Injunction, but was probably adopted as a matter of course. Chained books in churches thus became common, and besides the Bible, very generally included copies of Fox's Book of Martyrs and Jewel's Apology for the Church of England. The chained books at St Luke's, Chelsea, consist of a Vinegar Bible, a Prayer Book, the Homilies, and two copies of the Book of Martyrs.
The custom of chaining books, as we have seen, was followed in the college libraries, and obtained also in church libraries in England and on the continent. Among the still existing libraries whose books are thus secured are those of Hereford Cathedral and Wimborne Minster in England, and the church of St Wallberg at Zutphen, in Holland. The last, however, was not always chained, and thereby hangs a tale. Once upon a time the Devil, having a spite against the good books of which it was composed, despoiled it of some of its best volumes. The mark of his cloven hoof upon the flagged floor gave the clue to the identity of the thief, whereupon the custodians of the books had them secured by chains sprinkled with holy water, by which means the malice of the Evil One was made of none effect.
[CHAPTER VI
THE BEGINNING OF PRINTING]
The germs of the invention which, in spite of Carlyle's somewhat slighting reference, has proved itself hardly less momentous in the world's history than the conception of the idea of writing, are to be found in the stamps with which the ancients impressed patterns or names upon vases or other objects, or in the device and name-bearing seals which were in common use among the nations of antiquity. But these stamps and seals could be used only to impress some plastic material, not to make ink or other marks upon paper; and for the first example of printing, as we understand the word, we must look to China, where, it is said, as early as the sixth century, A.D., engraved wooden plates were used for the production of books. The Chinese, however, kept their invention to themselves, or at any rate it spread no further than Japan, until many years later; and although in the tenth century the knowledge of printing was carried as far as Egypt, Europeans seem to have made the discovery for themselves, quite independently of help from the East, both as regards block-printing and the use of moveable type.
In Europe, as in China, the first printing was done by means of a block, that is, a slab of wood on which the design was carved in relief, and from which, when inked, an impression could be transferred to paper or other material. This process is known as block-printing, and in Europe was principally used for the production of illustrations, the text, which came to be added later, being accessory and subordinate to the picture.
The first European block-prints are pictures of saints, roughly printed on a leaf of paper and usually rudely coloured. Heinecken, whose Idée general d'une Collection complette d'Estampes (1771) is still a standard work, is of opinion that pictures of this class were first executed by the old makers of playing-cards, and that the playing-cards themselves were printed from wood and not drawn separately by hand. In this case the cards should rank as the earliest examples of block-printing, or wood-engraving. Heinecken has not been alone in entertaining this opinion, but, on the other hand, there are some who consider that the portraits represent the first woodcuts, and that the early playing-cards were drawn and painted by hand.
The single-leaf portraits of saints were produced chiefly, or perhaps solely, in Germany, and examples are now rare. It is curious that most of those which have survived to the present day have been found in German religious houses, pasted inside the covers of old books, and thus shielded from the destruction to which their fragile nature rendered them liable. One specimen, which has the reputation of being the earliest extant with which a date can be connected, is the well-known St Christopher, which represents the saint carrying the child Christ over a stream, after an old legend. This specimen bears the date 1423, and was discovered pasted in the cover of a mediæval manuscript in the monastery at Buxheim, in Swabia, and is now in the John Rylands Library at Manchester. The date, however, may be only that of the engraving of the block, and not the year of printing. A theory was put forward by Mr H. F. Holt, at the meeting of the British Archaeological Association in 1868, that this St Christopher, so far from being the earliest known specimen of printing of any sort, belonged to a period subsequent to the invention of typography, and that the date 1423 refers only to the jubilee year of the saint, and not to the execution of the print. He also held that the block-books, to which we refer below, were not the predecessors of type-printed books, as they are usually considered to be, but merely cheap substitutes for the costly works of the early printers. But these theories, though not disproved, do not receive the support of bibliographers in general.
Another early woodcut is the Brussels Print, which is in the Royal Library at Brussels. It is ostensibly dated 1418, but although this date is accepted by some, it has most probably been tampered with, and therefore the position of the print is at least doubtful. It is of Flemish origin, and represents the Virgin and Child, accompanied by SS. Barbara, Catharine, Veronica and Margaret. Other prints exist which are not dated, and it is quite possible that some of these may be older than the St Christopher, though no definite statements as to their date can be made. It is certain, however, that the art of block-printing was known in the closing years of the fourteenth century, and that it was practised thenceforward until about 1510, that is, some years after the invention of typography. In many manuscripts of the period, printed illustrations were inserted by means of blocks, either to save time, or because the scribe's skill did not extend to drawings.