"I am afraid of fires," said Isabel, dubiously. "The most vivid memories of my childhood are standing at my window on the Hill in my night-gown and watching whole blocks down here in flames. The wonder is that yours have never gone. Now I get my ground rent, no matter what happens." But before she had finished speaking she had made a sudden movement towards Gwynne. "I will do it," she said. "It will be better—all round."
"Good! And I intend to put on outside shutters of asbestos, so, with walls of concrete and steel, and as little wood inside as possible, we should weather anything short of subterranean fires."
Then Miss Montgomery took them through South Park, the oval enclosure, surrounded by high brown sad-looking houses looking down upon a bit of dusty green, and pointed out the long-deserted mansions of the Randolphs, the Hathaways, the Hunt McLanes, and of others who had dispensed the simple lavish hospitality of the Fifties and Sixties. She was intensely proud of the fact that her mother had been born in South Park, and pointed with a sigh, not all unconscious affectation, to the stiff three-storied house that had come, with so many others, "round the Horn" in the Fifties. Beside it, looking like an old man with his arms hanging and his jaw fallen, its windows vacant and broken, its paint long unrenewed, and cobwebs on the very doorstep, stood the Randolph House, the theatre of the most poignant of all an Francisco's initial tragedies. Isabel had told Gwynne the story of Nina Randolph, and as Anne repeated it he recalled the name of Dudley Thorpe, and remembered that he had left the reputation of a good parliamentarian and M. F. H.
They went up to Rincon Hill, once the haughty elder sister of South Park, now looking like a lonely island in a dirty sea covered with wreckage. There still remained several handsome old ivy-covered mansions, and many beautiful as well as picturesquely dilapidated gardens. Rincon Hill had contributed two peeresses to England, Lee Tarlton and Tiny Montgomery, and Gwynne not only knew them both, but was the more interested, as Cecil Maundrell's sudden elevation to the earldom of Barnstaple during his active youth had served as an object-lesson to himself. Mrs. Montgomery's old home was in good repair, but she was in Europe as usual, and Randolph Montgomery, now in the diplomatic service—too independent for the machine, he had been driven out of politics some years since—preferred the more central comforts of a hotel when he visited San Francisco. Two old family servants were sunning themselves in the garden. The window-curtains were presumably packed in camphor, and the dim panes suggested a cobwebbed and desolate interior. Gwynne glanced across the ugly shabby but teeming valley to the symbols of stupendous energies concentrated on its edge, and the variegated magnificence of the hills, piling like roughly terraced cliffs above it; then west to the mountains by the sea, green, unclaimed by man as yet, although the dead were thick on the hills just below. It was a city struggling out of chaos, but perhaps more interesting than it would be a century hence, when it had fulfilled its destiny and become a great metropolis of white marble and stone. A century? Nowhere had era succeeded era with such startling rapidity, nowhere in one short half-century had the genus American passed through so many phases. The evidences were all before him. Once again he had the impression of standing in the presence of hoary age—ugly premature age—was that the secret of the vague suggestion of an unthinkable antiquity that so often rose like a ghost in his mind?
The girls announced that they should ride back, and they walked over and took a Third Street car. It was almost empty when they entered, but was invaded at the next corner by a belated pleasure party bound for the Park, a noisy disreputable crowd of flashy men, and girls with bold tired eyes, a thick coat of the white paint which has made the fortune of the San Francisco chemist, and gaudy cheap attire. Known in the vernacular as "chippies," they bore a crude Western resemblance to the Parisian grisette, and what they lacked in style they made up in sound. They were the class that monopolized boats and trains on Sundays, screaming steadily through the tunnels, and returned late, no longer happy because no longer able to make a noise. One of the young women pointed a finger at Gwynne, screaming, "I choose you!" and plumped herself on his lap, to the suppressed delight of Isabel and Miss Montgomery. But Gwynne looked blankly at her ill-buttoned back and the immense buckle of her belt, while the rest of the party, those that sat and those that swung to and fro at the straps, mocked her for choosing so unresponsive a knight. The car stopped to accommodate another relay, and Gwynne by a deft movement transferred the lady to his own seat, and engineered the girls out of the car, before two hoodlums, who were working their way up from the lower door, could reach them.
They found a garage and a good automobile, and spent an hour or two out on the ocean boulevard. When they returned to town, Miss Montgomery alighted at one of the hotels where she was to dine; and, the chauffeur announcing that he could not "make another hill," Gwynne and Isabel started for home on foot.
The city rose in a succession of hills from the level, and they climbed slowly, talking little. Suddenly Gwynne laid his hand on Isabel's arm and stopped, directing her gaze upward. They were at the foot of one of the narrow almost perpendicular blocks that rose between Pine and California streets. On either side were brown old-fashioned houses, several of them set back from the street, and surrounded by trees and high close fences. It was almost dark, but a moon was due, so the street lamps were not lit. Crawling down from the street above, on one side only, and clinging to the upper houses, was the advance guard of the fog. It had come in stealthily and halted for a moment, taking strange shapes. It looked like the ghost of an ancient fog, and the very houses, in which not a light had appeared, might have been deserted for a century. In a moment it began to crawl down the side of the street, seeming to fill the whole city with silence. It was a scene indescribably gloomy, haunting, forbidding, and to Gwynne, who had studied the city in many lonely rambles, to whisper of the unrelieved gloom of lives behind that stage where the most famous of American Follies danced for ever in her cap and bells. The spirit of sympathy was in the fog and the brief darkness for the thousands of broken dogged men and women that rarely caught sight of the cap and bells. For them the ashes, the embittered memories, the blasted hopes, a quiet sullen hatred for the city that had devoured their hearts and left them automatons. This was a phase of the city's life of which the enthusiastic shallow tourist had never a hint. It took a man of genius like Gwynne to feel the genius of the city in all its sinister variety. He had hardly pieced his impressions together as yet, but he told Isabel a little of what his subconscious ego had formulated, and she had never liked him so well as when she took his arm and they ascended into the sudden downrush of the fog.
XXXVI
Gwynne returned to Lumalitas on the following day and Isabel moved down to Mrs. Hofer's. This had seemed a rather superfluous proceeding to Miss Otis, but Mrs. Hofer would take no denial, and lodged her guest in a suite the luxury of which at first delighted and then stifled her. She liked splendor and luxury in the abstract, but some lingering shade of Puritanism in her resented the enthralment of the higher faculties. Her rooms were upholstered with satin from floor to ceiling, the toilet-table was bedecked with gold, and the furniture had been made for some favorite of Napoleon during the First Empire. Isabel was haunted by a vague sense of impropriety, which she ridiculed but could not stifle.