"The more enthusiastic sit in those and wait for the tide to come back. I avoid being left high and dry, for if the ducks go elsewhere it is rather a bore."
The mountains on the left diminished in height, turned off abruptly to the northwest, following the coast line. Those on the right took form in the pink mist that enveloped them, for the sun had set. All the lower sky was pink, melting imperceptibly into the still pale blue of day. Far to the north other mountains seemed suddenly to heave from the level, villages appeared, with great stretches of farming land between. Then the glow faded into the gray of twilight and the vast landscape took on a sudden aspect of desolation; as of a country stranded, forgotten, with a heap of stones here and there to mark some ancient civilization.
"There is Rosewater—over there where the lights are coming out; and here we are," said Isabel.
Gwynne turned with a start and found that Isabel had run her launch up to a little pier. Behind it was a cluster of low hills set with narrow fields and tiny white houses. In the foreground was a large house of two stories and no architecture whatever, although the roof was mercifully flat. It was painted white and surrounded by a broad veranda. The garden was full of bare rosebushes and blooming chrysanthemums, but save for two mournful eucalypti and a naked acacia, there was not a tree in sight. Just behind were many out-buildings, stark and white.
"Is this where you live?" asked Gwynne, wonderingly. He had vaguely pictured her in a romantic setting, a bit of California epitomized.
"It was like Uncle Hiram to sell off the prettiest parts, but I don't bother about anything I can't help, and I have a lovely view opposite. Where is that boy?" She raised her voice and called, "Chuma! Chuma!" and in a moment a Japanese boy came running down to the pier.
"The two men spend Sunday in Rosewater, but I have trained my Jap to do a little of everything," said Isabel, as they walked up to the house. "He is one of the willing sort; most are not. Chuma is my cook and butler and chambermaid—"
"Do you mean that you live here without any other woman?"
"Why not? No girl would stay in this lonely place. I should have to send her in to Rosewater every night and get a second girl to keep her company. Mac—who was with Uncle Hiram before I was born—sleeps in the house. It was a hotel forty years ago, by-the-way, and is still known as Old Inn. That was in the days of picturesque ruffianism, and there are terrible stories about the house, but no ghosts."
It had been decided that Gwynne should dine with Isabel and spend the night at the hotel in Rosewater. Isabel had telephoned to her patient Jap, and there was a log fire in the "parlor"—now transformed into a comfortable living-room. Gwynne looked about him with considerable curiosity while Isabel was up-stairs dressing. The walls were "ceiled" with redwood and hung with the photographs she had accumulated in her travels, a motley collection of many climes, from the snows of the Alps to the patios of Seville; all, she had informed him, with a personal association: "she was no photograph fiend." Several artist's sketches arrested her guest's attention and he wondered what her life in Paris had been. He fancied that her three years abroad were full of curious chapters, most of them untold; but although she mystified him he could not associate her with license of any sort. There was even a hint of austerity about her, as if she drew strength from her Puritan forefathers.