The shooting occurred on Saturday night. By Wednesday all the horrors of the criminal episode were over and she felt as young as she looked, and at liberty to begin life again, a free and happy woman. Her mourning was perfect.
She made up her mind to see the newspaper men and have done with it. They had haunted the grounds—no patrols could keep them out—sat on the doorstep, forced their way into the kitchen, and rung the front door-bell so frequently that hourly she expected the scowling Frieda to give notice. Mr. Cummack told her repeatedly that she might as well give in first as last and she finally agreed with him.
It was five o'clock in the afternoon when they were admitted to the spacious old-fashioned parlour with its incongruous modern notes.
Like many women, Mrs. Balfame had an admirable taste in dress, so long as she marched with the conventions, but neither the imagination nor the training to create the notable room. Long since she had banished the old "body brussels" carpet and substituted rugs subdued in colour if commonplace in design. The plush "set" had not gone to the auction room, however, but had been reupholstered with a serviceable "tapestry covering." A what-not still stood in one corner, and both centre-table and mantel were covered with marble, although the wax works that once embellished them were now in the garret. The wall paper, which had been put on the year before, was a neutral pale brown. Nevertheless, it was a homelike room, for there were two rocking-chairs and three easy chairs; and on a small side-table was Mrs. Balfame's workbasket. On the marble centre-table was a most artistic lamp. The curtains matched the furniture.
There were ten reporters from New York, two from Brooklyn, three from Brabant County, and four correspondents. Word had been passed during the morning that Mrs. Balfame would see the newspaper men, and they were there in force; those that were not "on the job all the time" having loyally been notified by those that were. But they had stolen a march on the women. Not a "sob-sister" was in that intent file, led by James Broderick of The New York Morning News, that entered the Balfame house and parlour on Wednesday at five o'clock.
Frieda had announced that her mistress would be "down soon," and Mr. Broderick immediately drew the curtains back from the four long windows, and placed a comfortable chair for Mrs. Balfame in a position where she would face both the light and her visitors. It was not the first stage that the astute Mr. Broderick had set; and whenever he was on a case he fell naturally into the position of leader; not only had he the most alert and driving, the most resourceful and penetrative mind, but his good looks and suave manner inspired confidence in the victim, and led him insensibly into damaging admissions. He was a tall slim young man, a graduate of Princeton, not yet thirty, with a regular face and warm colouring, and an expression so pleasant that the keenness of his eyes passed unnoted. In general equipment and dress he was typical of his kind, unless they took to drink and grew slovenly; but his more emphatic endowment enabled him to take the lead among a class of men whom he respected too thoroughly to antagonise with arrogance.
"Late—to make an impression!" he growled, but young Ryder Bruce of the evening edition of his paper nudged him. Mrs. Balfame was on the staircase opposite the parlour doors.
The young men stood up and watched her as she slowly descended, her black dress clinging to her tall rather rigid figure, her head high, her profile as calm as marble, her eye as devoid of expression as if awaiting the click of the camera.
The reporters were prejudiced on the spot, so impatient are newspaper men of any sort of pose or attempt to impress them. As she entered the room she greeted them pleasantly, looking straight at them with her large cold eyes, and allowed herself to be conducted to a chair by the polite Mr. Broderick.