I
They walked rapidly up the close avenue—planted far back in the Fifties by Ford Thornton's grandfather—the blaze of light at the end of the long perspective growing wider and wider. As they emerged they paused for a moment, dazzled by the scene.
The original home of the Thorntons had been of ordinary American architecture and covered with ivy; it might have been transplanted from some old aristocratic village in the East. Flora Thornton had maintained that only one style of architecture was appropriate in a state settled by the Spaniards, and famous for its missions of Moorish architecture. Fordy loved the old house, but as he denied his wife nothing he had given her a million, three years before the fire which so sadly diminished fortunes, and told her to build any sort of house she pleased; if she would only promise to live in it and not desert him twice a year for Europe.
The immense structure, standing on a knoll, bore a certain resemblance to the Alhambra, with its heavy square towers; its arched gateways leading into courtyards with fountains or sunken pools, the red brown of the stucco which looked like stone and was not. To-night it was blazing with lights of every color.
So were the ancient oaks, which were old when the Alhambra was built, the shrubberies, the vast rose garden. The surface of the pool in the sunken garden reflected the green or red masses of light that shot up every few moments from the four corners of the terrace surrounding it. On the lawn just above and to the right of the house, a platform had been built for dancing; it was enclosed on three sides with an arbor of many alcoves, lined with flowers, soft lights concealed in depending clusters of oranges.
And everywhere there were people dressed in costumes, gorgeous, picturesque, impressive, historic, or recklessly invented, but suggesting every era when dress counted at all. They danced on the great platform to the strains of the invisible band, strolled along the terraces above the sunken garden, wandered through the groves and "grounds," or sat in the windows of the great house or in its courts. All wore the little black satin mask prescribed by Mrs. Thornton, and created an illusion that transported the imagination far from California. Ruyler had a whimsical sense of being on another star where the favored of the different periods of Earth had foregathered for the night.
But there was nothing ghostly in the shrill chatter as incessant as the twitter of the agitated birds, who found their night snatched from them and hardly knew whether to scold or join in the chorus.
Ruyler had always protested against the high-pitched din made by even six American women when gathered together, and to the infernal racket at any large entertainment; but to-night he sighed, forgetting his apprehensions for the moment.
He had exquisite memories of these lovely grounds; he and Hélène had spent several days with Mrs. Thornton during their engagement, and she had lent them the house for their honeymoon; he would have liked to wander through the pleasant spaces with his wife to-night and make love to her, instead of spying on her in the company of a detective.
For that, he was forced to conclude, was what he had been brought for. Spaulding had mentioned her name casually, when telling him that he must be on hand to nab the "party" who was at the bottom of the whole trouble; but Spaulding hardly could have watched the person who was blackmailing without including her in his surveillance. He wished now that he had left that part of the mystery to take care of itself, trusting to his mother-in-law's departure to relieve the situation. No doubt she would have told him the truth herself rather than leave her daughter to the mercy of the men who knew her secret.