"And believe me, as the Americans say," remarked Mimi Brandt, "when the German people know the truth, particularly the German women, there will be some circus."
Mimi had been far more of an active rebel than the Niebuhr girls, possibly because her life-stream was closer to the source, patently to herself because she had a magnificent voice which needed only technique to assure her a welcome in any of the great opera houses of Germany. Adroitly persuaded by her parents to marry when she was not quite seventeen, she had conceived an abhorrence of the rodent-visaged young burgess who had been her lot; not only was he personally distasteful to the ardent romantic girl, but he would not permit her to cultivate her voice, much less study for the stage. Her revenge had been a cruel disdain, to which he had responded by lying under the bed all night and howling. Twice she had run away, visiting prosperous and sympathetic relatives in Milwaukee, and both times returned at the passionate solicitations of her parents; not only outraged in their dearest conventions but anxious to be rid of the small rodent born of the union.
Her last return had been but a month before the outbreak of the war, and Hans Brandt, to his growling disgust, was promptly swept off by the searching German broom. He was as much in love with his wife as a man so meagerly equipped in all but national conceit may be, for Mimi was a handsome girl with a buxom but graceful figure, and a laughing face whose golden brown eyes sparkled with the pure fun of living when they were not somber with disgust and rebellion.
Gisela had always looked upon Heloise von Erkel as the most tragic figure in Munich. In appearance she had distinction rather than beauty, for although her features were delicate her complexion and hair were faded and there were faint lines on her charming face. She was a blonde of the French type, and her light figure, although indifferently carried and a stranger to gowns, possessed an indefinable elegance.
Under heaven knew what impulse of romantic madness Frau von Erkel, then Heloise d'Oremont, had married a young German officer, and although both fancied themselves deeply in love the breach began shortly after they had settled to the routine life of the frontier town where he was stationed, and had widened rapidly in spite of the fact that she produced six children as automatically as the most devoted (and detested) hausfrau of her acquaintance. Shortly after the birth of Marie, the breach became a chasm, for the chocolate firm, inherited through her bourgeoise mother and the source of Frau von Erkel's wealth, failed, and the haughty Bavarian aristocrat was forced to keep up his position in the army and maintain his growing family on an income, accruing from chocolate investments, that should have been reserved for pleasure alone.
However, there was help for it. He renounced cards and such other costly diversions as was possible without lowering his standard as a gentleman and an officer, and of course the real privation was borne by the women of the family. He even ceased to rage at his wife, for she merely sat in her favorite chair, her hands folded, and looked at him with her subtle ironic smile.
When Gisela met them, Frau von Erkel and her three daughters (all in their late twenties and unmarried) were living in a dingy old house in a respectable quarter, with one beer-sodden maid to relieve them of the heavy work and bake the cake for the Sunday "Coffee."
Colonel von Erkel and his three sons lived in bachelor quarters and called upon the women of the family every Sunday afternoon at precisely four o'clock. In full uniform, and imposing specimens of the German officer, they sat stiffly upon the uncomfortable chairs for about thirty minutes and then simultaneously escaped and were seen no more for a week.
At first Gisela was intensely amused at the vagaries of the Erkels, but when she saw the four narrow beds in a row in one small monastic room (the first floor was let to lodgers to pay the rent), and still more of their almost hopeless contriving to hold their position in Munich society, to say nothing of a bare sufficiency of food and raiment, her sympathies, always more deep than quick, were permanently aroused. But they were confined to the girls. Charming and graceful as the old lady was, it was evident that if above the arrogance of her German husband she was afflicted with the intense conservatism of her own race. It had taken Aimée, the oldest of the girls, three years of persistent begging, nagging, arguments, tears, and threats of abrupt demise, to obtain permission to move her piano—a present from relatives who occasionally came to the rescue—a bookcase and three chairs up to the garret and have a room she could call her own. Frau von Erkel was scandalized that a French girl (she systematically ignored the German infusion in her daughters) should wish for hours of solitude. But Aimée had the national genius for pegging away, and her mother, who came in time to feel that one nerve was being gnawed with maddening reiteration, finally succumbed; relieving her mind daily.
After that it was comparatively easy, although there were several notable engagements, for Heloise to become secretary to Gisela Döring. She never dared admit that she received a generous monthly cheque for her services, but Gisela was a favorite with the old lady (always sitting placidly in her chair, with her hands in her lap, a faint ironic smile on her still pretty face), and as her literary style was extolled by her exacting daughters (Frau von Erkel never read even a German newspaper, but subscribed for Le Figaro), and as she knew Gisela to be a member of her own class, the new connection was harmonious; and Heloise at last experienced something like real liberty in the tiny garden house of the parterre apartment of Gisela Döring on the Königinstrasse.