She liked the way he walked beside her, seeming to protect her down the steep path without touching her. He carried himself with a quiet unconscious dignity, refreshing after the military strut of which she was artistically weary; and as he looked down at her with his kind smile and calm almost studious gaze, he attracted her more than any man had done for half his years. She also felt a curious mental excitement, a desire to talk very fast, which she attributed to the uncommon circumstances, but which she realized before long was the stimulating influence of that rarest of mortal contacts, a sympathetic brain. In days gone by she had found it easy to love, but she remembered few men she had cared to talk to. At the moment she shot up an inquisitive glance. Might he not be older than she had fancied? Nineteen he had looked on the bridge. Possibly he was nearer thirty. But she recalled that Princess Nachmeister had mentioned his age. Young men—with one tragic exception—had never interested her. But she was quick to read the human countenance; and she observed that if his eyes recorded nothing beyond the mood of the moment, the line from ear to chin, under the fine smooth English skin, was uncommonly long. It might indicate future character and present obstinacy; although there were no strong lines yet in the boyish sensuous mouth, soft and pouting in spite of its fine modelling. And although he had demonstrated that he could seize and hold a fort, there was no hint of obstinacy in his manner, which was very gentle and diffident. For the first time in her life she experienced a sensation of gratitude toward a member of the man sex, a sensation made up of many parts, and rising from dark corners of memory. It impelled her to say:

“Let us sit down. It is quite warm here in the forest.”

“You are sure you will not take a cold? I will give you my coat to sit on.”

“You will do nothing of the sort. Fortunately, these classic costumes commanded by the King are made of wool. Besides, I always dress warmly to sing in that Festsaal. It is colder there than out of doors.”

“Nevertheless, you were very angry when you began to sing.”

“Did you detect that? I hope the King did.”

Ordham, who had stretched himself at her feet—she had seated herself on a bench—looked steadily at her while they talked, wondering if she were beautiful or not, or if it mattered. Her head in poise and form was classic, her face oval, and her rather long nose thin and sensitive. But her eyes—those eyes that looked immense on the stage—were small, deeply set, dark, impenetrable, sullen, like the lower part of her face. Occasionally they lit up with amusement, and hinted of temper and other uncomfortable attributes; nor was there any suggestion of tenderness in the close mouth and strong jaw. In the second act of Tristan und Isolde she expressed every soft enchantment of womanhood, and Ordham for the first time fully realized what a great artist she was, for he could see no indication that any traces remained of those impulses that drive the race blindfolded, in this sullen almost angry shell. She looked like a fallen goddess, whom mortal passions had consumed, leaving but a vast regret for her lost godhead. No wonder she could play Brynhildr! There was nothing else in that imposing casket but brain, and although he could imagine the tigerish beauty of her youth, she fascinated him far more as she was. The world was full of soft passionate women—he hated the thought of them—and his mind, almost full-blown, imperiously demanded this particular brain as its mate. But he made no effort to lead the conversation into unusual channels. In conversation, for that matter, he was not skilful, and depended upon the inspiration of the moment.

Princess Nachmeister had said that a woman might be known by her lovers, but he judged people largely by what they read, and he asked Margarethe Styr if she took in all the reviews.

“Not one. To me this high plateau is the world. I do not know who is the President of the United States, or the Prime Minister of England.”

“Does your art really fill your life?”