Sensitively timid, yet bold in his half dozen inches with curiosity of life and the exuberant gladness of youth, Busteretto could frisk and he could tremble. He was cowed by the sight of fearful things, beetles and big dogs, but next moment, with budding valor, would dash to investigate them. He twinkled when he ran, his bark lifted him off his four feet. Withal something exquisite marked him even among Maltese puppies, which Aurora felt without art to define it. She said he reminded her of the new moon when it is no bigger than a fingernail. If with the tip of his rose-petal tongue he laid the lick of fondness and approval on the end of your nose, you felt two things: that the salute had come directed by the purest heart-guidance, and that the nose had something about it subtly right. You were flattered.
When Gerald encouraged Mrs. Hawthorne to decide for herself how she should like to be painted, with what habiliments, appurtenances and surroundings, she decided first of all to have Busteretto on her lap,–but that was afterward given up: he wiggled. Then her white ostrich fan in her hand, her pearls around her neck, her diamond stars in her hair, a cluster of roses at her corsage, her best dress on, and an opera-cloak thrown over the back of her chair.
Catching, as she thought, a look of irony on Gerald’s face, she had a return of suspicion.
“See here,” she said, observing him narrowly, “there’s no trick about this, is there?”
“Not the shadow of one. Please trust me, Mrs. Hawthorne. This is to be a portrait entirely satisfactory as 185well as entirely resembling. It is like you to desire to be painted with your plumes and pearls and roses, and they are very becoming. I shall put them in with pleasure. I know you do not believe I can paint a portrait to suit you. Very well. Grant me the favor of a chance to try. We shall see.”
It was true that she did not believe it, but she was so willing to hope. One of the upstairs rooms at the back was chosen for the sittings because the light through its windows was the least variable. The necessary artist’s baggage was brought over from Gerald’s, and the work began.
Charcoal in hand, he regarded Mrs. Hawthorne quietly and lengthily through half-closed eyes.
“You have not one good feature,” he said, as if thinking aloud.
“Oh!”–she started out of the pose they had after much experimenting decided upon–“oh! is that the way you’re going to pay me for keeping still on a chair by the hour?”
“You have no eyebrows to speak of.”