Gerald now made the acquaintance of a new member of the household. She came into the room bearing a small tray with a hot-water pot and a cup. She took this to Aurora, who helped herself to plain hot water, explaining:
“I am trying to ‘redooce.’ This is good for what ails me, they say. But I could never in the world think of it. Clotilde thinks of it for me, and she’s that punctual! Clotilde, you’re too punctual with this stuff. You don’t suppose I like it?”
“But think, Madame, of the sylph’s form that it will give you!” replied Clotilde, in respectably good English.
“I do think of it. Give me another cup. Mr. Fane, this is Miss–no, I won’t launch on that name. It’s Italo’s sister, who has saved our lives and become our greatest blessing.”
Clotilde exposed in smiling a fine array of white teeth. She was not at all like her brother, but well-grown, white and pink beneath her neat head-dress of crisp black hair. She impressed Gerald as belonging to a different and better class. If she were vulgar, it was at least not in the same way. She appeared like that paradox, a lady of the working-class, with a distinguishing air of capability, good humor, and openness. The latter Gerald was not disposed absolutely to trust, but he was glad to trust all the rest.
No sooner had she left the room than Aurora and Estelle in one voice started telling him about her. He learned that she and Italo were not what they called “own” brother and sister, but only half. Their father, being left by the death of his wife with a young family on his hands, had in feeble despair married the cook, become the father of 188one more child, and died. Italo was that latest born. The children of the first wife had then been taken by her folks, while their step-mother retained her own chick, assisted from a distance by the prouder portion of the family to educate and give him a trade. He had chosen an art instead, and by it was rising in the world. There had been published a waltz of his composing, dedicated by permission to a name with a coronet over it. He lived with and supported his good soul of a mother, and saw something of his half-brethren, all of them through lack of fortune condemned to small ways of life, like himself.
Clotilde, the best-hearted, was his favorite and he hers. She recognized his gifts, she further regarded him as a man of spirit, or wit.
“It must be,” reflected Gerald, “that the fellow can stir up a laugh.”
He knew him only as a fixture at the piano, but could well accommodate the idea of a species of buffoonery to that boldly jutting nose of his. He fancied that maldicenza, gossip further spiced with backbiting, would form the chief baggage of his wit. If he possessed sharp ears, his opportunities for picking up knowledge of other people’s affairs were certainly unusual. He passed from house to house, playing accompaniments, drumming for dancing, so insignificant on his screw-stool that many no doubt talked before him as if nobody had been there.
Gerald did not dislike Ceccherelli, really, only had him on his nerves in relation to Aurora. He felt him, indeed, rather likeable at a distance, as part of a story; he had the good point of being an individual. Gerald was in general touched to benevolence at sight of a poor devil elated by his little draught of success. To Ceccherelli without a doubt 189the patronage of the wealthy American represented success. Ceccherelli pulling out his gold watch was a disarming vision.