Her hand dropped, her whole being drooped and confusedly apologized. Then the hand that had interposed between them, uncompromising as a hot flat-iron, changed outline and pointed at a half faded rose pinned on her breast. Quickly she unfastened it and held it toward the outstretched hand. It was taken, it was held to Italo’s lips while he made one of those deep bows that bent him double; then the stem of the rose was pulled through his buttonhole and secured with a pin from Aurora’s dress. The great little man shook his locks and went on to the next subject.
Aurora was impressed. She was pleased with Italo in a new way, and said to herself that she must make him some rich little, but unobjectionable little, gift to remember this occasion by, a gold pencil, or a pearl scarf-pin, or a cigar case to be proud of.
She went to bed with her head full of serenade and 383serenaders, her head all lighted up inside with the glory of having been the object of a tribute so flattering. When after reading her chapter she blew out the candle, she knew that to-night she should sleep, and make up for the two bad nights just passed. If Gerald were so foolish as to feel annoyed and wish to stay away, he would just have to feel annoyed and stay away until he felt different. His mood couldn’t help wearing off in time. But it did seem to her extraordinary that even now, after knowing him so long, she could tell so little of the workings of Gerald’s mind. All, of course, because he was–such a considerable part of him–a foreigner.
Aurora was one of those healthy sleepers who have no care to guard themselves against the morning light. Her windows stood open, her bed was protected from winged intruders by a veil of white netting gathered at the top into the great overshadowing coronet.
She was in the fine midst of those sweetest slumbers that come after a pearly wash of dawn has cleaned sky and hilltops from the last smoke-stain of the night, when a sense of some one else in the room startled her awake. There stood near the door of her dressing-room an unknown female, wearing intricate gold ear-pendants and a dingy cotton dress without any collar.
“Chi è voi?” inquired Aurora, lifting her head.
“I am the Ildegonda,” answered the woman, whose smile and everything about her apologized, and deprecated displeasure. She must be the kitchen-maid, fancied Aurora, engaged by Clotilde, and not supposed to show her nose above the subterranean province of the kitchen.
“There is the signorino down in the garden,” Ildegonda 384 acquitted herself of the charge laid upon her by the donor of the silver franc still rejoicing her folded fingers, “who says if you will have the amiability to place yourself one moment at the window he would desire to say a word to you.”
The signorino. That had become the informal title by which the servants announced a guest who was let in so very frequently. Aurora understood finestra, window, and dire una parola, to say a word, and then that the signorino was giù in giardino.