“Do look at Estelle!” exclaimed Mrs. Hawthorne. “She’s been dancing one dance after the other, and sits there now looking cool as a cucumber. I would have her life if it could make me into a bone like her. Miss Foss,”–she was diverted from the envious contemplation of Estelle,–“who is that lovely girl over there?”
“Which one? There are so many to-night!”
“The white one with the knob of dark hair down in her neck. An Italian, I guess. Rather small. See who I mean? There. She’s going to speak to the little fellow at the piano.”
Leslie looked, but did not at once answer. The girl in white was indeed strangely, at this moment poignantly, lovely. Some intensity of repressed feeling made her cheek 52of a white-rose pallor, and her dark eyes, those spots of velvet shadow, mysteriously deep. She had gone where the piano stood in a bower of palm and bamboo, with Signor Ceccherelli seated before it, busy wiping the sweat of his brow. More than one had gone to him that evening to ask for some favorite piece. She was perhaps just requesting him to play The Blue Danube, or La Manola or Bavardage, and it was merely the romantic way of her beauty to express a sense of doom. She spoke quietly to the pianist, who looked at her while she spoke and when she ceased made with his head a motion of assent. She turned and went from the room.
“It is my sister Brenda,” said Leslie. “How singular you should not recognize her!”
“I’ve never met her, my dear. You don’t remember. The time I came to tea she was in town taking a music lesson. The time I came to dinner she was in bed with a headache. Well, well, she’s not a bit like the rest of you, is she? I took her for an Italian.”
“She was only twelve when we came over here, it has somehow molded her. I was seventeen; too old, I fancy, to change. Brenda is going back to America before long, to be with our aunt, father’s sister, for whom Brenda was named. It was only decided a day or two ago, when we heard from some friends who are going and will take her under their wing. And if she goes there’s no telling when she will come back, you see, because with every change of administration father may be recalled. And Italy has been her home so long, all her friends are here. It’s no wonder she doesn’t look exactly light of heart.”
“No, poor child!”
There was a sympathetic silence, after which, “Who is 53that?” Mrs. Hawthorne asked, to take their minds off the intrusive sadnesses of life. With her gaze across the room she counted, “One, two, three, four, to the left of the piano, with his hands behind him and a round glass in his eye.”
Leslie looked over at a figure of whom it was natural to ask who that was, it so surely looked like Somebody–though Mrs. Hawthorne had very likely asked because, merely, in her eyes he was queer. It was an oldish man, dressed with marked elegance, white tie, white waistcoat, white flower at his lapel. The whole of worldly wisdom dwelt in his weary eye. He had yellow and withered cheeks, black hair with a dash of white above the ears, and a mustache whose thickest part curved over his mouth like a black lacquer box-lid, while its long ends, stiff as thorns of a thorn-tree, projected on either side far beyond his face.