Gardening is always difficult, often best let alone, in many such cases. When the architecture, especially architecture of the classical type, is good and pure, it admits of no intrusion of other forms upon its surfaces. It is complete in itself, and the gardener’s additions become meddling encroachments. When any planting is allowable against houses of this type—as in cases where they are less pure in style and have larger wall-spaces—it should be of something of bold leafage, or large aspect of one simple character; the strong-growing Magnolia grandiflora as an upright example, and Wistaria as one of horizontal
THE GATEWAY, BRYMPTON
FROM THE PICTURE IN THE POSSESSION OF
Mr. Edwin Clephan
growth. There is some planting between the lower windows at Brympton, but it is doubtful whether it would not have been better omitted. It is a place more suitable (if on this front any gardening is desirable) for the standing of Bays or some such trees, in tubs or boxes on the terrace.
There is sometimes a flower-border at the base of such a house; where this occurs it is a common thing to see it left bare in winter and in the early year dotted with bulbous plants and spring flowers; to be followed in summer with bedding-plants. No such things look well or at all in place directly against a building. The transition from the permanent structure to the transient vegetation is too abrupt. At least the planting should be of something more enduring and of a shrubby character, and mostly evergreen. Such plants as Berberis Aquifolium, Savin, Rosemary and Laurustinus would seem to be the most suitable, with the large, persistent foliage of the Megaseas as undergrowth, Pyrus japonica for early bloom, and perhaps some China Roses among the Rosemary.
But happily this house has been treated as to its environment with the wisest restraint. No showy or pretentious gardening intrudes itself upon the great charm of the place, which is that of quiet seclusion in a beautiful but little-known part of the county. The place lies among fields—just the House, the Church and the Rectory. There is no village or public road. The house is approached by a long green forecourt inclosed by walls. Between this and the kitchen garden is the quiet, low, stone-roofed church, in a churchyard that occupies such another parallelogram as the forecourt. The pathway to the church passes across the forecourt into the restful churchyard with its moss-grown tombs and bushes of old-fashioned Roses, and the grassy mounds that mark the last resting-place of generations of long-forgotten country folk.
The church has a bell-cote built upon the gable of its western wall of remarkable and very happy form, stone-roofed like the rest. Among the graves stands the base—three circular steps and a square plinth—of what was once an ancient stone cross. The church seems to lie within the intimate protection of the house, adding by its presence to the general impression of repose and peaceful dignity.