The only part of the garden at Auchincruive that is obedient to rectangular form, is the kitchen garden and the ground about it. The kitchen garden lies some way back from the house and river, and, with its greenhouses, is for the most part hidden by two long old yew hedges which run in the direction of the river. One of these appears in the picture, with its outer ornament of bright border of autumn flowers. Here are Tritomas, Gypsophila in mist-like clouds, tall Evening Primrose and Campanula pyramidalis, both purple and white, with many other good hardy flowers.

The red-leaved tree illustrates a question which often arises in the writer’s mind as to whether trees and shrubs of this coloured foliage, such as Prunus Pissardi and Copper Beech and Copper Hazel are not of doubtful value in the general garden landscape. Trees of the darkest green, as this very picture shows by its dark upright yews, are always of value, but the red-leaved tree, though in the present case it has been tenderly treated by the artist, is apt to catch the eye as a violent and discordant patch among green foliage. Especially is this the case with the darker form of copper beech, which, in autumn, takes a dull, solid, heavy kind of colour, especially when seen from a little distance, that is often a disfiguring blot in an otherwise beautiful landscape.

The same criticism may occasionally apply to trees of conspicuous golden foliage, but errors in planting these, though often made, may easily be avoided by suitable grouping and association with white and yellow flowers. Indeed it would be delightful to work out a whole golden garden.

THE YEW ARBOUR, LYDE

FROM THE PICTURE IN THE POSSESSION OF Mr. George E. B. Wrey

YEW ARBOUR: LYDE

It is not in large gardens only that hardy flowers are to be seen in perfection. Often the humblest wayside cottage may show such a picture of plant-beauty as will put to shame the best that can be seen at the neighbouring squire’s. And where labouring folk have a liking for clipped yews, their natural good taste and ingenuity often turns them into better forms than are seen among the examples of more pretentious topiary work.

The cottager has the undoubted advantage that, as his tree is usually an isolated one, he can see by its natural way of growth the kind of figure it suggests for his clipping; whereas the gardener in the large place usually has to follow a fixed design. So it is that one may see in a cottage garden such a handsome example as the yew in the picture.