forecourt; on the southern, the garden. Here, next the house, is a wide terrace, bounded on the outer side by the parapet of a retaining wall, and next the building, by a running guilloche of box-edged beds filled with low-growing plants. The terrace has a semi-circular ending, near the eastern wall of the house, formed of an evergreen hedge, with a wooden seat following the same line, and a sundial at the radial point. At the other end, the terrace ends in a flight of downward steps leading to large green spaces, with fine trees and flowering shrubs, and eventually to the walled gardens. Straight across the terrace from the house is the parterre, whose centre ornament is an unusually well-proportioned fountain of the same date as the house. It is circular in plan, with a wide lower basin and two graduated superimposed tazzas. From this, four cross-paths radiate; the quarters are filled mainly with half-hardy flowers such as Gladiolus; the design being accentuated at several points by the upright growing Florence Court Yews. The parterre is inclosed by a low wall, backed by a clipped evergreen hedge; on the wall stand at intervals graceful stone figures of amorini, identical in character with those shown in the picture of Phlox and Daisy, and apparently designed by the same hand.
The steps at the western end of the terrace are wide and handsome, and are also ornamented with sculptured amorini. The path leads onward, at first directly forward, but a little later in a curved line through a region of lawn and stream, with trees and groups of flowering shrubs. Here and there, on the grass by itself, is one of the free-growing Roses, rightly left without any support, and showing the natural fountain-like growth that so well displays the beauty of many of the Roses of the old Ayrshire class and of some of the more modern ramblers. The path passes one end of an avenue of large trees, and, after a while, turning to the left, reaches the kitchen gardens, consisting of several walled inclosures. One of these, of which one wall is occupied by vineries, has been made into a flower garden, where hardy flowers, grandly grown, are in the wide borders next the wall. A portion of such borders, in an adjoining compartment of the garden, forms the subject of the picture.
The inner space is divided into two squares, one having as a centre a rustic summer-house almost hidden by climbing plants; from this radiating grass paths pass between beds of flowers. The outer borders in the next walled compartment are ten feet wide, and are finely filled with all the best summer plants, perennial, annual and biennial. The fine pale yellow Anthemis tinctoria is here grown in the way this good plant deserves, and its many companions, Hollyhocks, Delphiniums, Japan Anemones, Phloxes and Lavender; annual Chrysanthemums, Gladiolus, Carnations, Tritomas, and all such good things, are cleverly and worthily used, and, with the graceful arches of free Roses and white Everlasting Pea, make delightful garden pictures in all directions.
The garden of Abbey Leix is one of those places that so pleasantly shows the well-directed intention of one who is in close sympathy with garden beauty; for everywhere it reflects the fine horticultural taste and knowledge of Lady de Vesci, who made the garden what it is.
MICHAELMAS DAISIES
Early in September, when the autumn flowers are at their finest, some of the Starworts are in bloom. Even in August they have already begun, with the beautiful low-growing Aster acris, one of the brightest of flowers of lilac or pale purple colouring. From the time this pretty plant is in bloom to near the end of October, and even later, there is a constant succession of these welcome Michaelmas Daisies. The number of kinds good for garden use is now so great that the growers’ plant lists are only bewildering, and those who do not know their Daisies should see them in some good nursery or private garden and make their own notes. As in the case of Phloxes, the improvement in the garden kinds is of recent years, for I can remember the time when it was a rare thing to see in a garden any other Michaelmas Daisy than a very poor form of Novi-Belgii, a plant of such mean quality that, if it came up as a seedling in our gardens to-day, it would be sent at once to the rubbish heap.
When the learner begins to acquire a Daisy-eye he will see what a large proportion of the garden kinds are related to this same Novi-Belgii, the Starwort of New England. The greater number of the garden varieties are derived from North American species, but they hybridise so freely that it is now impossible to group the garden plants with any degree of botanical accuracy. But the amateur may well be content with a generally useful garden classification, and he will probably learn to know his Novi-Belgii first. Then he will come to those Novi-Belgii that are from the species lævis, rather wider and brighter green of leaf and only half the height. Then, once known, he cannot mistake Novæ-Angliæ, with its hairy and slightly viscid stem and foliage, and strong smell, and its two distinct colourings—rich purples and reddish pinks. Then again, if he observes his plants in early summer, he can never mistake the heart-shaped root-leaves of cordifolius for any other. This is one of the most beautiful of the mid-season Starworts, with its myriads of small flowers gracefully disposed on the large spreading panicles. Of this the best known and most useful are A. cordifolius elegans and a paler-coloured and most dainty variety called Diana.
Once seen he can never forget the low-growing early A. acris or the good garden varieties of A. Amellus, both from European species. Several other kinds, both tall and short, early and late, will be added to those named, but these may be taken as perhaps the best to begin with.
Where space can be given, it is well to set apart a separate border for these fine plants alone. This is done in the garden where Mr. Elgood found his subject. Here the Starworts occupy a double border about eight feet wide and eighty feet long. They are carefully but not conspicuously staked with stiff, branching spray cut out the winter before from oaks and chestnuts that had been felled. The spray is put in towards the end of June, when the Asters are making strong growth. The borders are planted and regulated with the two-fold aim of both form and colour beauty. In some places rather tall kinds come forward; in the case of some of the most graceful, such as cordifolius Diana, the growths being rather separated to show the pretty form of the individual branch. In others it was thought that their best use was as a flowery mass. Each kind is treated at the time of staking according to its own character, and so as best to display its natural form and most obvious use. Like all the best flower gardening it is the painting of a picture with living plants, but, unlike painting, it is done when the palette is empty of its colours. Still the good garden-planter who has intimate acquaintance and keen sympathy with his plants, can plant by knowledge and faith; by knowledge in his certainty of recollection of the habit and stature and colour of his plants; by faith in that he knows that if he does his part well the growing thing will be docile to his sure guidance.