CHAPTER XXIII
THE BEDDING FASHION AND ITS INFLUENCE
It is curious to look back at the old days of bedding-out, when that and that only meant gardening to most people, and to remember how the fashion, beginning in the larger gardens, made its way like a great inundating wave, submerging the lesser ones, and almost drowning out the beauties of the many little flowery cottage plots of our English waysides. And one wonders how it all came about, and why the bedding system, admirable for its own purpose, should have thus outstepped its bounds, and have been allowed to run riot among gardens great and small throughout the land. But so it was, and for many years the fashion, for it was scarcely anything better, reigned supreme.
It was well for all real lovers of flowers when some quarter of a century ago a strong champion of the good old flowers arose, and fought strenuously to stay the devastating tide, and to restore the healthy liking for the good old garden flowers. Many soon followed, and now one may say that all England has flocked to the standard. Bedding as an all-prevailing fashion is now dead; the old garden-flowers are again honoured and loved, and every encouragement is freely offered to those who will improve old kinds and bring forward others.
And now that bedding as a fashion no longer exists, one can look at it more quietly and fairly, and see what its uses really are, for in its own place and way it is undoubtedly useful and desirable. Many great country-houses are only inhabited in winter, then perhaps for a week or two at Easter, and in the late summer. There is probably a house-party at Easter, and a succession of visitors in the late summer. A brilliant garden, visible from the house, dressed for spring and dressed for early autumn, is exactly what is wanted—not necessarily from any special love of flowers, but as a kind of bright and well-kept furnishing of the immediate environment of the house. The gardener delights in it; it is all routine work; so many hundreds or thousands of scarlet Geranium, of yellow Calceolaria, of blue Lobelia, of golden Feverfew, or of other coloured material. It wants no imagination; the comprehension of it is within the range of the most limited understanding; indeed its prevalence for some twenty years or more must have had a deteriorating influence on the whole class of private gardeners, presenting to them an ideal so easy of attainment and so cheap of mental effort.
But bedding, though it is gardening of the least poetical or imaginative kind, can be done badly or beautifully. In the parterre of the formal garden it is absolutely in place, and brilliantly-beautiful pictures can be made by a wise choice of colouring. I once saw, and can never forget, a bedded garden that was a perfectly satisfying example of colour-harmony; but then it was planned by the master, a man of the most refined taste, and not by the gardener. It was a parterre that formed part of the garden in one of the fine old places in the Midland counties. I have no distinct recollection of the design, except that there was some principle of fan-shaped radiation, of which each extreme angle formed one centre. The whole garden was treated in one harmonious colouring of full yellow, orange, and orange-brown; half-hardy annuals, such as French and African Marigolds, Zinnias, and Nasturtiums, being freely used. It was the most noble treatment of one limited range of colouring I have ever seen in a garden; brilliant without being garish, and sumptuously gorgeous without the reproach of gaudiness—a precious lesson in temperance and restraint in the use of the one colour, and an admirable exposition of its powerful effect in the hands of a true artist.
I think that in many smaller gardens a certain amount of bedding may be actually desirable; for where the owner of a garden has a special liking for certain classes or mixtures of plants, or wishes to grow them thoroughly well and enjoy them individually to the full, he will naturally grow them in separate beds, or may intentionally combine the beds, if he will, into some form of good garden effect. But the great fault of the bedding system when at its height was, that it swept over the country as a tyrannical fashion, that demanded, and for the time being succeeded in effecting, the exclusion of better and more thoughtful kinds of gardening; for I believe I am right in saying that it spread like an epidemic disease, and raged far and wide for nearly a quarter of a century.
Its worst form of all was the "ribbon border," generally a line of scarlet Geranium at the back, then a line of Calceolaria, then a line of blue Lobelia, and lastly, a line of the inevitable Golden Feather Feverfew, or what our gardener used to call Featherfew. Could anything be more tedious or more stupid? And the ribbon border was at its worst when its lines were not straight, but waved about in weak and silly sinuations.
And when bedding as a fashion was dead, when this false god had been toppled off his pedestal, and his worshippers had been converted to better beliefs, in turning and rending him they often went too far, and did injustice to the innocent by professing a dislike to many a good plant, and renouncing its use. It was not the fault of the Geranium or of the Calceolaria that they had been grievously misused and made to usurp too large a share of our garden spaces. Not once but many a time my visitors have expressed unbounded surprise when they saw these plants in my garden, saying, "I should have thought that you would have despised Geraniums." On the contrary, I love Geraniums. There are no plants to come near them for pot, or box, or stone basket, or for massing in any sheltered place in hottest sunshine; and I love their strangely-pleasant smell, and their beautiful modern colourings of soft scarlet and salmon-scarlet and salmon-pink, some of these grouping beautifully together. I have a space in connection with some formal stonework of steps, and tank, and paved walks, close to the house, on purpose for the summer placing of large pots of Geranium, with sometimes a few Cannas and Lilies. For a quarter of the year it is one of the best things in the garden, and delightful in colour. Then no plant does so well or looks so suitable in some earthen pots and boxes from Southern Italy that I always think the best that were ever made, their shape and well-designed ornament traditional from the Middle Ages, and probably from an even more remote antiquity.
