The young madcap suddenly proposed that the girls should dance a hornpipe in the costume of Mother Eve, and they consented on the condition that we would adopt the dress of Father Adam, and that blind musicians were summoned. I told them that I would take off my clothes to oblige them, but that I had no hopes of being able to imitate the seductive serpent. I was allowed to retain my dress, on the condition that if I felt the prick of the flesh I should immediately undress. I agreed to do so, and the blind musicians were sent for, and while they tuned their instruments toilettes were made, and the orgy began.
It taught me same useful lessons. I learnt from it that amorous pleasures are the effect and not the cause of gaiety. I sat gazing at three naked bodies of perfect grace and beauty, the dance and the music were ravishing and seductive, but nothing made any impression on me. After the dance was over the male dancer treated the two females, one after the other, until he was forced to rest. The French girl came up to ascertain whether I shewed any signs of life, but feeling my hopeless condition she pronounced me useless.
When it was all over I begged Edgar to give the French girl four guineas, and to pay my share, as I had very little money about me.
What should I have said if I had been told in the morning that instead of drowning myself I should take part in so pleasant an entertainment?
The debt I had contracted with the young Englishman made me resolve to put off my suicide to another day. After the nymphs had gone I tried to get rid of Edgar, but in vain; he told me I was getting better, that the oysters I had taken shewed my stomach was improving, and that if I came with him to Ranelagh I should be able to make a good dinner the next day. I was weak and indifferent and let myself be persuaded, and got into a coach with Edgar in obedience to the Stoic maxim I had learnt in the happy days of my youth: ‘Sequere Deum’.
We entered the fine rotunda with our hats off, and began to walk round and round, our arms behind our backs—a common custom in England, at least in those days.
A minuet was being danced, and I was so attracted by a lady who danced extremely well that I waited for her to turn round. What made me notice her more particularly was that her dress and hat were exactly like those I had given to the Charpillon a few days before, but as I believed the poor wretch to be dead or dying the likeness did not inspire me with any suspicion. But the lady turned round, lifted her face, and I saw—the Charpillon herself!
Edgar told me afterwards that at that moment he thought to see me fall to the ground in an epileptic fit; I trembled and shuddered so terribly.
However, I felt so sure she was ill that I could not believe my own eyes, and the doubt brought me to my senses.
“She can’t be the Charpillon,” I said to myself, “she is some other girl like her, and my enfeebled senses have led me astray.” In the meanwhile the lady, intent on her dancing, did not glance in my direction, but I could afford to wait. At last she lifted her arms to make the curtsy at the end of the minuet, I went up instinctively as if I were about to dance with her; she looked me in the face, and fled.