The young and lovely O-Morphi—for the king always called her by that name—pleased the sovereign by her simplicity and her pretty ways more even than by her rare beauty—the most perfect, the most regular, I recollect to have ever seen. He placed her in one of the apartments of his Parc-dux-cerfs—the voluptuous monarch’s harem, in which no one could get admittance except the ladies presented at the court. At the end of one year she gave birth to a son who went, like so many others, God knows where! for as long as Queen Mary lived no one ever knew what became of the natural children of Louis XV.
O-Morphi fell into disgrace at the end of three years, but the king, as he sent her away, ordered her to receive a sum of four hundred thousand francs which she brought as a dowry to an officer from Britanny. In 1783, happening to be in Fontainebleau, I made the acquaintance of a charming young man of twenty-five, the offspring of that marriage and the living portrait of his mother, of the history of whom he had not the slightest knowledge, and I thought it my duty not to enlighten him. I wrote my name on his tablets, and I begged him to present my compliments to his mother.
A wicked trick of Madame de Valentinois, sister-in-law of the Prince of Monaco, was the cause of O-Morphi’s disgrace. That lady, who was well known in Paris, told her one day that, if she wished to make the king very merry, she had only to ask him how he treated his old wife. Too simple to guess the snare thus laid out for her, O-Morphi actually asked that impertinent question; but Louis XV. gave her a look of fury, and exclaimed,
“Miserable wretch! who taught you to address me that question?”
The poor O-Morphi, almost dead with fright, threw herself on her knees, and confessed the truth.
The king left her and never would see her again. The Countess de Valentinois was exiled for two years from the court. Louis XV., who knew how wrongly he was behaving towards his wife as a husband, would not deserve any reproach at her hands as a king, and woe to anyone who forgot the respect due to the queen!
The French are undoubtedly the most witty people in Europe, and perhaps in the whole world, but Paris is, all the same, the city for impostors and quacks to make a fortune. When their knavery is found out people turn it into a joke and laugh, but in the midst of the merriment another mountebank makes his appearance, who does something more wonderful than those who preceded him, and he makes his fortune, whilst the scoffing of the people is in abeyance. It is the unquestionable effects of the power which fashion has over that amiable, clever, and lively nation. If anything is astonishing, no matter how extravagant it may be, the crowd is sure to welcome it greedily, for anyone would be afraid of being taken for a fool if he should exclaim, “It is impossible!” Physicians are, perhaps, the only men in France who know that an infinite gulf yawns between the will and the deed, whilst in Italy it is an axiom known to everybody; but I do not mean to say that the Italians are superior to the French.
A certain painter met with great success for some time by announcing a thing which was an impossibility—namely, by pretending that he could take a portrait of a person without seeing the individual, and only from the description given. But he wanted the description to be thoroughly accurate. The result of it was that the portrait did greater honour to the person who gave the description than to the painter himself, but at the same time the informer found himself under the obligation of finding the likeness very good; otherwise the artist alleged the most legitimate excuse, and said that if the likeness was not perfect the fault was to be ascribed to the person who had given an imperfect description.
One evening I was taking supper at Silvia’s when one of the guests spoke of that wonderful new artist, without laughing, and with every appearance of believing the whole affair.
“That painter,” added he, “has already painted more than one hundred portraits, and they are all perfect likenesses.”