“You will go this evening,” he said, “with a friend of mine, and you will catch the coach.”
I had to give way, and I was delighted to have done so, for the remainder of the day passed in the most agreeable manner. Fabris was longing for war, and his wishes were gratified two years afterwards; he covered himself with glory.
I must say one word about Locatelli, who was an original character well worthy to be known. He took his meals every day at a table laid out for thirty persons, and the guests were his actors, actresses, dancers of both sexes, and a few friends. He did the honours of his well-supplied board nobly, and his real passion was good living. I shall have occasion to mention him again at the time of my journey to St. Petersburg, where I met him, and where he died only lately at the age of ninety.
EPISODE 7 — VENICE
CHAPTER X
My Stay in Vienna—Joseph II—My Departure for Venice
Arrived, for the first time, in the capital of Austria, at the age of eight-and-twenty, well provided with clothes, but rather short of money—a circumstance which made it necessary for me to curtail my expenses until the arrival of the proceeds of a letter of exchange which I had drawn upon M. de Bragadin. The only letter of recommendation I had was from the poet Migliavacca, of Dresden, addressed to the illustrious Abbé Metastasio, whom I wished ardently to know. I delivered the letter the day after my arrival, and in one hour of conversation I found him more learned than I should have supposed from his works. Besides, Metastasio was so modest that at first I did not think that modesty natural, but it was not long before I discovered that it was genuine, for when he recited something of his own composition, he was the first to call the attention of his hearers to the important parts or to the fine passages with as much simplicity as he would remark the weak ones. I spoke to him of his tutor Gravina, and as we were on that subject he recited to me five or six stanzas which he had written on his death, and which had not been printed. Moved by the remembrance of his friend, and by the sad beauty of his own poetry, his eyes were filled with tears, and when he had done reciting the stanzas he said, in a tone of touching simplicity, ‘Ditemi il vero, si puo air meglio’?
I answered that he alone had the right to believe it impossible. I then asked him whether he had to work a great deal to compose his beautiful poetry; he shewed me four or five pages which he had covered with erasures and words crossed and scratched out only because he had wished to bring fourteen lines to perfection, and he assured me that he had never been able to compose more than that number in one day. He confirmed my knowledge of a truth which I had found out before, namely, that the very lines which most readers believe to have flowed easily from the poet’s pen are generally those which he has had the greatest difficulty in composing.
“Which of your operas,” I enquired, “do you like best?”
“‘Attilio Regolo; ma questo non vuol gia dire che sia il megliore’.”