“I hope so, too; but after dinner you must help me to burn them all from first to last.”
“Burn them! No; make me a present of them. I promise to keep them carefully all my days.”
“They are yours, Esther. I will send them to you to-morrow.”
These letters were more than two hundred in number, and the shortest were four pages in length. She was enchanted to find herself the possessor of the letters, and she said she would make them into a parcel and take them away herself.
“Shall you send back the portrait to your faithless mistress?” said she.
“I don’t know what to do with it.”
“Send it back to her; she is not worthy of your honouring her by keeping it. I am sure that your oracle would give you the same advice. Where is the portrait? Will you shew it me?”
I had the portrait in the interior of a gold snuff-box, but I had never shewn it to Esther for fear she should think Manon handsomer than herself, and conclude that I only shewd it her out of vanity; but as she now asked to see it I opened the box where it was and gave it her.
Any other woman besides Esther would have pronounced Manon downright ugly, or have endeavored at the least to find some fault with her, but Esther pronounced her to be very beautiful, and only said it was a great pity so fair a body contained so vile a soul.
The sight of Manon’s portrait made Esther ask to see all the other portraits which Madame Manzoni had sent me from Venice. There were naked figures amongst them, but Esther was too pure a spirit to put on the hateful affectations of the prude, to whom everything natural is an abomination. O-Morphi pleased her very much, and her history, which I related, struck her as very curious. The portrait of the fair nun, M—— M——, first in the habit of her order and afterwards naked, made her laugh, but I would not tell Esther her story, in spite of the lively desire she displayed to hear it.