"Oh! it is not that," answered the modest-looking Agnes, "I think I am in the family-way."
On receiving this unexpected reply from a girl I had taken for a maiden,
I said to her,
"I should never have supposed that you were married, madam."
She looked at me with evident surprise for a moment, then she turned towards her friend, and both began to laugh immoderately. Ashamed, but for them more than myself, I left the house with a firm resolution never again to take virtue for granted in a class of women amongst whom it is so scarce. To look for, even to suppose, modesty, amongst the nymphs of the green room, is, indeed, to be very foolish; they pride themselves upon having none, and laugh at those who are simple enough to suppose them better than they are.
Thanks to my friend Patu, I made the acquaintance of all the women who enjoyed some reputation in Paris. He was fond of the fair sex, but unfortunately for him he had not a constitution like mine, and his love of pleasure killed him very early. If he had lived, he would have gone down to posterity in the wake of Voltaire, but he paid the debt of nature at the age of thirty.
I learned from him the secret which several young French literati employ in order to make certain of the perfection of their prose, when they want to write anything requiring as perfect a style as they can obtain, such as panegyrics, funeral orations, eulogies, dedications, etc. It was by surprise that I wrested that secret from Patu.
Being at his house one morning, I observed on his table several sheets of paper covered with dode-casyllabic blank verse.
I read a dozen of them, and I told him that, although the verses were very fine, the reading caused me more pain than pleasure.
"They express the same ideas as the panegyric of the Marechal de Saxe, but I confess that your prose pleases me a great deal more."
"My prose would not have pleased you so much, if it had not been at first composed in blank verse."