We might enumerate a long list of different masks, without introducing any variety, for they were very nearly the same; but we have shown enough to prove that the classical taste for which so many clamour without knowing what they talk about, was very little, if at all, above the modern standard. Some authorities[61] assert that masks were not worn in the earliest representations of the Roman drama; but some of the oldest MS. of Terence contain figures of the required masks, just as a play of the present day has prefixed to it a list of the costumes of the characters. The admirers of the classical may be grieved and astonished to hear that the taste, for the restoration of which they so much pine, took greater delight in the deadly games of the Circus, than in the lively representations of men and manners.

Light Comedy Man of the Period.

Historical literature was in a very humble condition, and had much, or indeed all, the prolixity, with little of the accuracy, of a modern report for a newspaper. It is, however, hardly fair to judge the authors severely for writings which we have never seen, and are never likely to see; for they have never come down to us, except in scraps—the result of the various cuttings-up they have encountered at the hands of Polybius and other critics. For the same reason, we are unable to praise conscientiously the "Origines" of Cato, which has long ago been lost, and we are unwilling to adopt the "opinions of the press," which have too often been at the disposal of the member of a clique, or of the purchaser of a puffing paragraph. Oratory always was, and always will be, an important art, except in those countries which are so excessively republican and free, that the people are free for every imaginable or imaginary purpose, except to do as they please, and to say what they think proper. The Romans took the art of rhetoric from the Greeks, but even a good thing is distasteful if forced where it is not asked; and, when the Athenians sent three professed orators as propagandists of their art to Rome, the foreign agitators were ordered—very properly—to quit the city.

As lawyers, the early Romans are entitled to high praise, and they evinced their prudence by making juris-prudence an essential part of their ordinary studies. The Roman youth were required to get the Twelve Tables by heart, or rather, by head, which was supposed to be sufficiently furnished when the whole of the Twelve Tables alluded to were crammed into it.

The science of Medicine was not in very high repute among the early Romans, and physic was, commercially speaking, in very little demand, so that it would have been a mere drug if brought into the market. The aristocratic families generally expected one of their slaves to know something of the healing process, as they usually did of other arts or trades; and a surgical operation, like a gardening operation, or any piece of merely manual labour, was frequently entrusted to the hands of a simple bondsman. Physic was scarcely known in Rome as a distinct pursuit, until the year of the City 534 (B.C. 219), when the Greek physician Archagathus opened a shop with an extensive stock, and an establishment of baths; the expense of which would have plunged him into hot water, had not the public come forward to make him a present of his premises. The shops of the doctors were lounging places for the idle, who are always the most profitable patients; for there is no ailing so troublesome as that of having nothing to do, and abundance of time to do it in. The Romans had made little advance in art, though they professed to show their love for it by robbing other nations of their treasures. On the same principle, the pickpocket, who pilfers a handkerchief, might ask credit for being attracted by the beauty of its design; and the knave who walks away with a set of silver spoons might pretend to be actuated by a desire to patronise their pattern or their workmanship. Rome, indeed, can scarcely be said to have introduced the arts from Greece, but merely to have introduced a few of the articles on which the arts had employed themselves.

Commerce was looked down upon for a long period as a degrading pursuit; but from the time of the Second Punic War, the equites, with a total disregard of equity, began lending out money at exorbitant interest. Though they would not condescend to trade for gain, they were prepared to pocket the profits of usury. They would also purchase corn at a low price abroad, and sell it at a dear rate at home; for they understood and practised all the tricks of the tradesman, though they sneered at and repudiated his position. The slave trade was also carried on to a vast extent by the higher classes, and even Cato is said to have done a little in that way himself, notwithstanding the stiffness of his notions, and the alleged purity of his morals. The patrician principle seemed to be, that the same thing which would be blamable on a small scale, was excusable when practised on a broad basis—that to sell a little was degrading, but to sell a great deal was no disgrace at all; and by a parity of reasoning, they must have held, that so far from its being the same thing whether to be hanged for a sheep or a lamb, it would only be the smaller depredator who would deserve any punishment whatever.

Robbery had greatly augmented the public wealth; but individuals were wretchedly poor, with the exception of the few who had had a hand in the pockets of the conquered nations. Slaves were brought in such numbers to Rome, that at length they would hardly fetch a price; and so many were brought from Sardinia, who were constantly being put up, knocked down at nothing, bought in, and left on hand, that "Sardians to sell!" passed into a proverb to express an unsaleable article. In vain were the poor creatures prepared to do as they were bid, for no one would give them a bidding. The Greek captives fetched a higher price, for they were many of them accomplished men, and became tutors, music-masters, or teachers of painting, in the families of their purchasers. Among the hostages brought to Rome, was Polybius the historian, who got so good a living by giving lessons, that though he had been brought to Rome against his will, he solicited the privilege of remaining there. His "Universal History," in forty books, was a work that ought to be, and would have been, in every gentleman's library, but for the unfortunate fact of its having been nearly all lost: and we may judge of the excellence of the whole, from the knowledge that though what remains of the work is very good, by far the best part of it is missing.

FOOTNOTES:

[56] P. Cornelius Scipio gave no better answer than this to a charge of having embezzled a sum amounting to 36,000l. sterling.