Verschoyle did not object. It horrified his trustees and after a time, growing bolder, he was much in Charles's company, and found him extremely useful as a bogey to frighten away the mammas who had made his life hideous ever since his Eton days, when one of his aunts had horrified him by referring to one of his cousins, a child of fifteen, as his 'dear little wifie.' ... Further, by seeing much of Charles, he could see more of Clara without compromising her or himself.

Now in the world of the theatre there never is but always may be money. It is always going to be made, so that everybody associated with it has credit sustained by occasional payment. Clara realised this very early in her career. She understood finance, because her grandfather had discussed his affairs with her exactly as if she were his partner, and she had had to keep a tight hand on his extravagance; and she quickly understood that in the theatre money must be spent always a little faster than it can be made to keep the current of credit flowing. She also realised that Sir Henry Butcher spent it a great deal faster, and was cool and warm towards the various projects laid before him according as they made payment possible.... He had watched Charles Mann's increase of fame with a jealous interest, but with a shrewdly expert eye waited for the moment of capitalisation to come before he committed himself to the new-fangled ways of dressing the stage, these damned Greek tragedies, plays in curtains, German toy sets, and Russian flummery in which painted blobs stood for trees and clouds. To Sir Henry a tree was a tree, a cloud a cloud, and he liked nothing better than to have real rabbits on the stage, if possible to out-Nature Nature.... At the same time he knew that the public was changing. It was becoming increasingly difficult to produce an instantaneous success. The theatre did not stand where it had done in popular esteem, and its personalities had no longer the vivid authority they had once enjoyed. When the Prime Minister visited the Imperium, it was rather Sir Henry than the Prime Minister who was honoured: a sad declension, for Prime Ministers come and go, but a great actor rules for ever as sole lessee and manager of an institution as familiar to the general mind as the House of Commons. Prime Ministers had come and gone, they had in turn accepted Sir Henry's kind offer of a box for the first night, but latterly Prime Ministers had gathered popularity and actor-managers had lost it, so great had been the deterioration of the public mind since the introduction of cheap newspapers, imposing upon every public character the necessity of a considerable waste of energy in advertising.... In the old days, a great man's advertising was done for him in acknowledgment of his greatness. Sir Henry was uneasy, could not shake off the gathering gloom, and a deep-seated conviction that Lady Butcher had made the fatal mistake of his career by devoting herself so exclusively to the front of the house and social drapery, bringing him into intimate contact with such persons as Prime Ministers, Dukes, and Attorney-Generals.... The public had been admitted behind the scenes. The mystery was gone. The theatre, even the Imperium had lost its spell. Nothing in it was sacred; not even rehearsals, which were continually interrupted by journalists, male and female, elegant young men and women who were friends and acquaintances of his family, dressmakers. 'Ah! Teresa! Teresa!' sighed Sir Henry, gazing at the portrait of that lady. 'It needs your touch, your charm, the quick insight into the health of the theatre which only comes to those who have been born in it.'

Soon the Imperium would close for a short holiday, after a shockingly bad season, and its manager had to make up his mind as to his new production. Mr Gillies was all for safety and economy, and for postponing any adventure to the Spring, but Sir Henry said,—

'The fate of the whole year is decided in October. The few people who matter come back from Karlsbad and Scotland cleaned up and scraped, and it is then that you make your impression. The Spring is too late. We must have something new.'

'We've got nothing new.'

'This fellow Mann.'

'But! He's mad. If he walked into the Club half the men would walk out of it.'

'He has made himself felt.'

'Yes. But in the wrong way.'

'The wrong way is often the right way in the end.'