There were present the Solicitor-General, Mr. Justice Sloppy, the three celebrated daughters of two dukes, the daughters-in-law of three Cabinet Ministers, a millionaire, two novelists, five “absolutely established” dramatists, three dramatic critics, nine theatrical knights, the ten most beautiful women in London, the Keeper of the Coptic Section of the South Kensington Museum, Tipton Mudde, the aviator, and Archdeacon Froude, the Chaplain of the Actors’ Union. There were others who were neither named nor catalogued in the newspaper (Court and Society) next day. As Mr. Justice Sloppy said, in the speech of the evening: “For brains and beauty he had never seen anything like it. . . .” The toasts were the King, Sir Henry Butcher, Lossie, and the Public, and there, as Panoukian remarked when the feast was described to him, you have the whole thing in a nutshell, the topnotch of English philosophy, the expression of the English ideal, lots of food, lots of drink, lots of talk, of money, of people, and then a swollen gratitude—“God bless us every one.” And Panoukian then developed a theory that England, the English character, had reached its zenith and come to flower and fruit in the genius of Charles Dickens. Thereafter was nothing but the fading of leaves, the falling of leaves, the drowsing into hibernation. He was excited by the idea of falling leaves to describe the intellectual and moral activity of the country. It would seem to explain the extraordinary predominance of the Harbottles, who were so thick upon every English institution that Vallombrosa was nothing to it.
Old Mole met Tyler Harbottle again, and, allowing for Panoukian’s youthful exaggeration, had to admit the justice of his estimate. Harbottle was very like a falling leaf, blown hither and thither upon every gust of wind, dropping, skimming, spinning in the air, but all the time obeying only one impulse, the law of gravity, which sent him down to the level of the ground, the public. Seeing nothing but the public, nothing beyond it, hoping for nothing but a comfortable resting place when at last he came to earth, Harbottle was under the illusion that the winds that tossed him came from the public, and when they blew him one way he said, “I will go that way,” and when they blew him another he said, “I will go this.” He was a Unionist Free Trader in theory and by label: in practice he was an indefatigable wirepuller. By himself he was unimportant, but there were so many of him and his kind that he had to be placated.
Old Mole met all the Harbottles. After Sir Henry Butcher’s party he and Matilda were squeezed up into a higher stratum of society. Tipton Mudde took Matilda up in his monoplane and thereafter their whole existence grew wings and flew. They now met the people of whom their professional acquaintances had talked. The triumph of “Lossie Loses” continued: it was said the play would beat the record of “Our Boys.” Money poured in, and almost as bewildering was the number of invitations—to vast dinner parties, to at homes, to drawing-room meetings, to boxes at the Opera, to luncheons at the luxurious hotels, to balls, to political receptions, to banquets given to celebrate honors won or to mark the end of a political campaign, or to welcome an actor-manager home from Australia. Whenever a Harbottle pulled out a plum from the pie than the subtler Harbottles buzzed like flies around it and arranged to eat and drink and make merry or at least to make speeches.
For a time it was very good fun. Old Mole and Matilda did as the Harbottles did. They had so many engagements that they were compelled to buy a motorcar and to engage a chauffeur. Without it Matilda could never have found time to buy her clothes. She went to the dressmaker patronized by all the female Harbottles, but the dressmaker made for an old-fashioned duchess, who adhered to the figure of the nineties and refused to be straight-fronted. The female Harbottles fled from this horrid retrogression and made the fortune of an obscure little man in Chelsea.
It was good fun for a time, and Old Mole was really interested. Here on the top of English life, its head and front—for the great-leisured governing classes no longer governed; they had feudal possessions but not the feudal political power—was a little world whizzing like a zoetrope. You might peep through the chinks and the figures inside it would seem to be alive, but when you were inside it there were just a number of repetitions of the same figures in poses disintegrated from movement. The machine whizzed round, but what was the force that moved it? Impossible to enter it except by energy or some fluke that made you rich enough or famous enough for there to be flattery in your acquaintance. True, Old Mole only saw the figures inside the machine arranged for pleasure. They were workers, too, but their pleasure was a part of their work. Lawyers who were working eighteen hours a day could find time to visit three great entertainments in an evening; politicians after an all-night sitting in the House could dine out, see two acts of the Opera, or the ballet, or an hour or so of a revue, and then return to the division Lobbies; actors, after two performances in the day, could come on to a reception at midnight and eat caviare and drink champagne. There were very few of whom it could be said that the rout was the breath of their nostrils; but all continued in it, all accepted it as a normal condition of things, as the proper expression of the nation’s finest energies. Impossible to avoid it, furtherance of ambition and young devotion to an ideal both led to it. . . . Pitchforked into it so suddenly, with so many vivid impressions after wanderings, Old Mole felt how completely it was cut off from the life of the country, because from the inside and the outside of the machine things looked so entirely different. He had to go no further than his own case. On all hands he heard it said so often that “Lossie Loses” was a wonderful play—“so delicate, so fanciful, so full of the poetry of common things”—that it needed only a very little weakening of his critical faculty for him to begin to believe it and greedily to accept the position it had given him. As it was, knowing its intrinsic falsehood and baseness, he marveled that people of so much intelligence could be bemused by success into such jockeying of their standards. But he began to perceive that there were no standards, neither of life nor of art. There could not be, for there was no time for valuation, just as there was no time for thinking. Here and there he found an ideal or two, but such wee, worn, weary little things, so long bandied about among brains that could not understand them and worried into a decline by the shoddy rhetorical company they had been forced to keep. Arguing from his own case, Old Mole came to the conclusion that the whole whirligig had come about from a constant succession of decent ordinary mortals having been, like himself, the victims of an eruption of gold which had carried them, without sufficient struggle or testing of imagination or moral quality, to an eminence above their fellows, upon which, in their bewilderment, they were conscious of nothing but a dread of falling down. In that dread, sharing no other emotion, they clung together fearfully, met superficially, were never content unless they were meeting superficially, creating flattery and even more flattery to cover their dread. And, as they were forever gazing downward into the depths from which they had been raised, it was impossible for them to see more than a yard or so further than their own feet. Fearful of taking a false step, they never moved; their minds curled up and went to sleep. They could create nothing, and could only imitate and reproduce. They had abandoned the dull habits of the middle class and yet were the slaves of middle-class ideas. There were very charming people among them, but they accepted good-humoredly that England had nothing better to offer. They had pleasant houses in Town and in the country, delightful and amusing people to visit them, to keep them from boredom, and they asked no more.
Old Mole studied the history of England, the railway frenzy, the growth of the manufacturing districts, the foundation of the great shipbuilding yards, the immense eruption of gold that had swept away the old, careless, negligent, ruling squires, and set in their place those who could survive the scramble. And the scramble had never ceased; it had been accepted as the normal state of things. The heat and excitement of the rout gave the illusion of energy, which, being without moral direction, was pounced upon by the English desire for comfort and the appearance of solidarity, the mania for having the best of everything in the belief that it will never be bettered. So against the inconveniences of an antiquated system of laws, a mean and narrow code of morals, the consequences of their own reckless disregard of health in the building of the great cities of industry, in the payment of those who labored in them, they padded themselves in with comfort, more and more of it.
“Almost,” said Old Mole, “I am persuaded to become a Jew, to sweat the sweaters, pick the profits, rule the world in honor of the cynical Hebrew god who created it, and live in uneasy triumph in the domestic virtues and worship of the flesh uncrucified.”
Once you have been drawn into the machine it is very difficult to get out of it. Old Mole struggled, but money and invitations came pouring in. “Lossie Loses” survived two holiday seasons. During the second the actress who played Lossie went away on her vacation, and Matilda, urged on by Butcher, with whom she had become friendly, played the part, was successful, and gave the piece a new spurt of vitality. It was not a brilliant performance, but then a brilliant performance would have killed the play. The play needed charm, Matilda had it, and, by this time, among so many expertly charming women, she had learned how to manipulate it. Her appearance on the stage extended her popularity among her distinguished acquaintances, but subtly changed her status, and she had to learn how to defend herself. Her life became more exciting and she expanded in response to it. She distressed Old Mole by talking about her adventures, and he began to think it was really time to go.
They went abroad for several months, to Paris, Florence, Rome, Sicily, Algiers, but as they stayed in luxurious and expensive hotels they might almost as well have stayed in London. Old Mole discovered nothing except that the eruption of gold must have been universal and that the character of the English nation had found its most obvious expression in its stout, solid, permanent telegraph poles.