She kissed and was kissed. Her disquietude had blown the high spirits of the party. When she had gone Matilda said:
“Jim’s a devil. Bertha’s had a baby every year since she was married, and he thinks of nothing but saving his own soul.”
Next day came a note from Bertha saying she was afraid her little house would not accommodate the whole party, but would Matilda bring her husband. “Is Mr. Mole an actor?” she asked. “I told Jim he wasn’t.”
Bertha’s address was 33 June Street. It was a long journey by tram, and then Matilda and her husband had to walk nearly a mile down a monotonous road intersected with little streets. The name of the road was Pretoria Avenue, and on one side the little streets were called after the months of the year, and on the other after the twelve Apostles. The Boothroyds therefore lived in the very heart of the product of the end of the nineteenth century. Their front door opened straight on to the street, they had a little yard at the back, and their house consisted of eight rooms. The parlor door was unlocked for the visit, and, amid photographs of many Boothroyds, testimonials to the worthiness of James Boothroyd and his Oddfellows’ certificate, tea was laid, none of your proper Yorkshire teas, but afternoon tea with thin bread and butter. Five little Boothroyds in clean collars and pinafores were placed round the room, and stared alternately at the cake on the table and their aunt and their new uncle. Old Mole endeavored to avoid their gaze, but the room seemed full of round staring gray eyes, and when he considered the corpulent American organ that took up the whole wall opposite the fireplace, he was astonished that so many people could be crammed into so small a space. Then he estimated that there were at least sixty other exactly similar houses in the street, that from January to December there were streets in replica, not to mention those on the other side of the road which were named from John to—surely not to Judas? He remembered then that one street was called Paul Street. . . . Dozens and dozens of houses, each with its Boothroyd family and its American organ. Dejectedly he told himself that these were the poor, until, glancing across at Matilda, he remembered that it was from such a house, among dozens of such houses, that she had come. That thought colored his survey, and he reminded himself, as nearly always he was forced to do when considering her actions or any episode in her history, that his own comfortable middle-class standards were not at all proper to the consideration of the phenomena of mean streets. Desperately anxious to make himself pleasant to Matilda’s sister, he asked heavily:
“Are these all——?”
She was in such a flutter that she did not leave him time to finish his sentence, took him to be referring to the children, and said: “Yes, they were all hers, and there were two more in the kitchen.”
With more tact Matilda cut the cake and gave a piece to each of the five children. Mrs. Boothroyd said she was spoiling them, and Matilda retorted:
“If they’re good children you can’t spoil them.”
And the children giggled crumbily and presently they sidled and edged up to their aunt and began to finger her and pluck at her clothes. Seeing his wife so set Old Mole off on an entirely new train of thought and feeling, and he began to contrast the Copas atmosphere with this domestic interior. Very queerly it gave a sort of life to that crusted old formula that had, with so many others, gone by the board in his eruption from secondary education, wherein it was laid down that a woman’s place is her home. He could never, without discomfort, apply any formula to Matilda, but to see her there, with the bloom on her, in her full beauty, with the five little children at her knees, made this idea so attractive that he was loath to relinquish it: nor did he do so until Matilda asked if she might see the house, when she and Mrs. Boothroyd and the five children left him alone with the ruins of the cake and the American organ.