showing the effects of the heat upon the tissue and contents of the cells.
Now in scraping these samples clean of all char the dimensions will return to the following:
| Flash | Flame |
| 6⁄16″ × 11⁄16″ × 11⁄16″ | 8⁄16″ × 10⁄16″ × 11⁄16″ |
clearly setting forth the fact that the char is comparatively light in both cases, ranging from 1⁄8″ to 1⁄4″.
To this cause is ascribed the burnability of cork having by careful observation and experiment, extending over a period of two years, studied the results of numerous fires in premises where cork was being worked and also conducted heat applications on various grades of cork[29] resulting in the foregoing findings.[30] Thus it is found that cork contains sufficient air to supply any fire in it and precludes the necessity of free access to any outside supply which makes it a material worthy to be watched. To its many qualities of great service to man, giving him a material which from the ages past, till now, has proven of such value, must be added this one, no less important than others, which heretofore have been its commendable features.
Rather than attend the “cork” through the many passages of commerce and manufacture, it is deemed propitious to deviate a little from a natural course, i.e., from the growing to manufacture and rather advance to a knowledge of the many uses to which this material is put and its application to the innumerable arts, and then take up the manufacture.
[USES AND APPLICATION]
MR. H. G. GLASSPOOLE,[31] writing regarding the uses of cork by the ancients, states: “The cork-tree, and the application of its bark to useful purposes, was well known to the Egyptians, Greeks and Romans. The former used this material in the construction of the coffins for their dead. Theophrastus, the Greek philosopher, who wrote on botany four centuries B.C., mentions this tree among the oaks, under the name of ‘Phellus’ in Book Two of his ‘Historia Plantarum,’ and stated that it was a native of the Pyrenees, having a thick fleshy bark which must be stripped off every three years to prevent it from perishing. He adds that it was so light as never to sink in water, and on that account might be used for many purposes.” It is the opinion of the writer that the attention of the ancients was undoubtedly called to this particular bark by its buoyancy, and as their fisheries were extensive its usefulness became readily apparent to float nets, etc., or to use even in the construction of their boats, and its sponginess and water-repellent properties not escaping their notice, it became a most likely material for stoppers of casks or amphorae as noted by Horace in Ode iii, 8: “Corticem adstrictum pice dimovebit amphorae.” Pliny, in his “Natural History,” XVI, 18, describes the tree under the name of Suber and relates everything said by Theophrastus of Phellus. From his account we learn that the Roman fishermen used it as floats to their nets and fishing tackle, and as buoys to their anchors. The use of these buoys in saving life appears to have been well known to the ancients, for Lucian, Epist. i, 17, mentions that when two men, one of whom had fallen into the sea, and another who jumped after to afford him assistance, both were saved by means of an anchor buoy. The use of this substance in assisting swimmers was not unknown to the Romans, for Plutarch in his Life of Camillus, who flourished in Rome 400 B.C., gives an account of its use by a messenger, sent to the Capitol, then besieged by the Gauls: “Pontius Cominius having dressed himself in mean attire under which he concealed some pieces of cork. He could not pass the river by the bridge, therefore took off his clothes, which he fastened upon his head, and having laid himself upon the pieces of cork swam over and reached the city.” The use of cork as stoppers was entirely unknown to the Romans, but instances of its being employed may be seen in Cato’s “De Re Rustica,” Cap. 120, but this did not happen frequently or more would be said of it.