[771] See p. 2.
[772] Anapæsts in other feet than the first, and occasional violations of the rule of the final cretic (see [Chapter VI]).
[773] vv. 316-41.
[774] The arrangement of the cast is not clear; perhaps: protagonist, Hector, Odysseus; deuteragonist, Æneas, Rhesus, Diomedes, charioteer; tritagonist, Dolon, herdsman, Athena, Muse. The brief part of Paris may have been taken by Diomedes or Odysseus, possibly by a fourth actor.
[775] ἀνθρωποδαίμων (v. 971).
[776] vv. 474-84.
[777] vv. 546-56.
[778] An excellent summary of the evidence (to which I am indebted) is to be found in the Introduction to Professor Murray’s verse-translation.
[779] Its author, however, is by no means convinced by them. He gives also interesting information on other points.
[780] That is, the two prologues mentioned in the Argument were added for later performances.