γνῶναι θ’ ἵν’ εἶ γῆς,[551]
the last phrase is marvellous. The very sound and fall of the words, with the two long monosyllables, can only be described as a verbal box on the ears. Observe too the great speech[552] of Andromache. In the lines
νῦν δ’ ἐς γυναῖκα γοργὸς ὁπλίτης φανείς
κτείνεις μ’· ἀπόκτειν’, ὡς ἀθώπευτόν γέ σε
γλώσσης ἀφήσω τῆς ἐμῆς καὶ παῖδα σήν,
one can hear the words gurgling in her throat before they issue in speech; at the end she is positively hissing. Peleus, too, ineffectual as he may be in argument, is a master of pungent rhetoric.[553]
For readers who admire exclusively the Sophoclean type of play, the Andromache is a painful experience to be forgotten as soon as possible. For any who find interest in the behaviour of ordinary beings at a great testing moment, this work is an endless delight.
The Hercules Furens[554] or Mad Heracles (Ἡρακλῆς Μαινόμενος) is perhaps the next play in order of time. Most critics place it about the year 420 B.C. or a little earlier; the chief reason for this is the celebrated chorus about old age—it is natural supposition that the poet had recently passed beyond the military age, and so would now be just over sixty.
The scene is laid before the house of Heracles at Thebes. Amphitryon, reputed father of the hero, explains the situation. Heracles, leaving his wife Megara and his three sons with Amphitryon, has departed to Hades in quest of Cerberus. In his absence one Lycus has seized the throne and intends to murder Heracles’ family. Megara would submit, but Amphitryon still hopes for Heracles’ return. Certain aged Thebans, who form the chorus, arrive, followed by Lycus who, after sneers at Heracles, orders his henchmen to burn his victims in their house. Megara begs of Lycus that they be given time to array themselves for death. He consents, and the sufferers retire. Lycus departs, and soon the sad procession returns. Suddenly Heracles himself enters. He tells that he has brought back Cerberus and released Theseus, King of Athens, from the lower world; he promises to destroy Lycus and goes within. A splendid ode laments the weakness of old age but glorifies the Muses. Lycus returns, enters the house, and is slain; the chorus greet his yells with delight and hail Heracles as now proved the son of Zeus. Suddenly Iris and Frenzy sweep down from the sky, sent by Hera to drive Heracles mad. Frenzy herself is reluctant, but enters the house, and the chorus raise cries of horror, amid which the house totters in ruin. A messenger relates how Heracles, after slaying Lycus, has been seized with madness and destroyed his wife and children. The eccyclema shows the hero sunk in stupor. He awakes and, realizing his situation, meditates suicide, but Theseus arrives and wins him back to courage; after terrible outbursts against Heaven he departs to live with Theseus in Athens.